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Weill: The Threepenny Opera
Box Set
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Track Listings
1 | Ov 'You Are About To Hear An Opera For Beggars' - Wolfgang Neuss |
2 | Act I: 'First You Will Hear A Penny-Dreadful Ballad About The Bandit Macheath' The Ballad Of Mack... - Wolfgang Neuss |
3 | Act I: 'Jonathan Jeremiah Peachum Has Opened The Store' Mr. Peachum's Morning Hymn - Wolfgang Neuss |
4 | Act I: 'Polly Peachum Hasn't Come Home' Instead-Of Song - Wolfgang Neuss |
5 | Act I: 'Deep In The Heart Of Soho' Wedding Song For Poor People - Wolfgang Neuss |
6 | Act I: Cannon Song 'In Reminiscence Of The Time They Spent Together In Their Youth' - Eric Schellow/Wolfgang Grunert |
7 | Act I: Love Song 'Do You See The Moon Over Soho?' - Eric Schellow/Johanna Von Koczian |
8 | Act I: 'By Means Of A Little Ditty' The Song Of No And Yes (Barbara Song) - Wolfgang Neuss/Johanna Von Koczian |
9 | Act I: Mr. And Mrs. Peachum Advise Their Daughter' The Uncertainty Of Human Conditions - Johanna Von Koczian/Trude Hesterberg/Willy Trenk-Trebitcsh |
10 | Act II: The Stable 'Mackie Has To Flee' - Wolfgang Neuss/Johanna Von Koczian/Eric Schellow |
11 | Act II: Polly's Farewell Song 'He Will Never Return' - Johanna Von Koczian/Eric Schellow |
12 | Act II: Intermezzo 'All Right, Now, If You Should See Mack The Knife' - Trude Hesterberg/Lotte Lenya |
13 | Act II: The Ballad Of Sexual Dependency 'There's A Man Who Is A Very Satan' - Trude Hesterberg |
14 | Act II: 'Song Of A Little Barmaid' Pirate-Jenny Or Dreams Of A Kitchen Maid - Wolfgang Neuss/Lotte Lenya |
15 | Act II: 'Macheath And Jenny The Whore' The Procurer's Ballad - Wolfgang Neuss/Eric Schellow/Lotte Lenya |
16 | Act II: 'Gentlemen, You Be The Judges' The Ballad Of Pleasant Living - Eric Schellow |
17 | Act II: 'The First Clouds In The Skies' The Jealousy Duet - Wolfgang Neuss/Inge Wolferberg/Johanna Von Koczian |
18 | Act II: Fight About The Property 'Jealousy, Rage, Love And Fear' - Inge Wolferberg |
19 | Act II: Ballad About The Question: ''What Keeps A Man Alive?' 'You Gentlemen, Who Teach Us' - Eric Schellow/Lotte Lenya/Gunther Arndt |
20 | Act III: 'What On Earth Is That?' The Song About Inadequacy - Wolfgang Grunert/Willy Trenk-Trebitcsh |
21 | Act III: Song Of Solomon 'You Saw Sagacious Solomon' - Lotte Lenya |
22 | Act III: 'The Whores Have Betrayed Macheath' Call From The Grave - Wolfgang Neuss/Eric Schellow |
23 | Act III: 'Fellow Citizens, Herewith I Take Leave Of You' Ballad In Which Macheath Asks Everyone... - Eric Schellow |
24 | Act III: 'Esteemed Public, We're At That Point' The Riding Messenger - Willy Trenk-Trebitcsh/Gunther Arndt |
25 | Act III: Threepenny Finale 'Do Not Prosecute Too Much Transgression' - Willy Trenk-Trebitcsh |
26 | Act III: The Final Verses Of The Ballad 'And Now At This Happy Ending' - Wolfgang Neuss |
Product details
- Is Discontinued By Manufacturer : No
- Package Dimensions : 5.63 x 4.96 x 0.67 inches; 6.38 Ounces
- Manufacturer : CBS Records
- Date First Available : October 1, 2006
- Label : CBS Records
- ASIN : B0000026HI
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #99,907 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,097 in Musical Soundtracks & Scores
- #2,924 in Opera & Vocal (CDs & Vinyl)
- #9,514 in Classical (CDs & Vinyl)
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P.S.: Donald Spoto, in his excellent biography of Lenya, calls this recording "a treasure." And so it is.
Kurt Weill's grandness has quickly gained and forcefully a well deserved in the status of the great composers of the last century. Fifty years were strong enough to portrait and describe with such realism the ambiance of Germany during the twenties and thirties, where the sadness was masked of untrue sensuality and the light of life was turning in the bleakest night, surrounded of false promises and blackish future.
Themes such as Barbara song, Ballad of the sexual slavery, Tango ballad, jenny of the pirates, Moritat, Salomon (with its forceful elusive sadness) or The ballad of comfortableness are part whether or not, part of the recent history, that must and needs to be listened again, unprovided of the stylistics formulas of the music for consume to express in this sense the genuine sap of the composer at its historical moment.
Times of dissonance and unsaid indifference before the times to come are underlined and magisterially depicted sine the first to the last rack of this memorable album. "The three penny opera" is perhaps the best known of the operas of Kurt Weill; soloists and conductors show with supreme loftiness and unsurpassed crudeness.
A fabulous album in which you will be involved since the first second of this spelling sound, filled of a poetic bitterness and vast silence of ontological loneliness.