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Side Effects Mass Market Paperback – Sept. 12 1986
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- Print length224 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateSept. 12 1986
- Dimensions10.69 x 1.47 x 17.07 cm
- ISBN-109780345343352
- ISBN-13978-0345343352
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Product details
- ASIN : 0345343352
- Publisher : Ballantine Books; Reissue edition (Sept. 12 1986)
- Language : English
- Mass Market Paperback : 224 pages
- ISBN-10 : 9780345343352
- ISBN-13 : 978-0345343352
- Item weight : 130 g
- Dimensions : 10.69 x 1.47 x 17.07 cm
- Best Sellers Rank: #484,050 in Books (See Top 100 in Books)
- #360 in Political Humour (Books)
- #663 in Parodies (Books)
- #1,255 in Humorous Essays (Books)
- Customer Reviews:
About the author
Woody Allen’s prolific career as a comedian, writer, and filmmaker has now spanned more than six decades and multiple award winning films. Mr. Allen’s first screenplay was for What’s New Pussycat?, which was released in 1965. He has written and directed more than 45 feature films, including Annie Hall, Manhattan and more recently, Midnight in Paris, Blue Jasmine & Rainy Day in New York. Woody Allen is the author of Getting Even, Without Feathers, and Side Effects, among numerous other books.
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And its not like a one time read!! You can read it over and over again.. I should know!!
Those strictly seeking laughs from a master will find them in one-act playlets like "The Query" and "My Apology" and in vignettes like "Reminisces: Places and People." Each focusing on death, they underline Carol Burnett's observation "Comedy is tragedy plus time." (Alan Alda recited this line as a smarmy TV personality in Allen's 1990 "Crimes and Misdermeanors.") But Allen also unintentionally, tragicomically mixes asides and references to fallen icons like OJ Simpson, the World Trade Center (constant symbol of size here) and even Igor Stravinsky (an allegory for sophistication and complexity.)
Yet Allen maintains his unparalleled character detail and nuance even in this short format (Few stories are more than six pages and are easily readable at one sitting.) You come to care for the TV producer who consoles a friend and eyes a nurse in "The Shallowest Man." You feel a painful twinge at the father-son dialogue closing the otherwise nonsensical "The Diet." You also sense the balding, hairy Kugelmass' giddy joy as he romances Emma Bovary and changes literature in "Kugelmass Episode." (Few main male characters in Allen's stories here are as attractive as the women they pursue.) Strangest and most disturbing of all, after reading of the love triangle in "Retribution," you again vaguely recall the personal events which brought Allen's personal life into the tabloid spotlight, outshining his artistic legacy to this day.
"Side Effects" is easily read in an afternoon or in quick bites when opportunity presents. As with any number of his classic films, "Side Effects" reveals touches of Woody Allen's life and worldview - but the part he wishes you to see. Recommended, but also check any of his legendary 70s or 80s films ("Zelig" and "Radio Days" two personal favorites) or his still hilarious 1960s comedy LPs.
Equivocation: I am convinced that all jokes are logical fallacies. The conclusion is the punch line. We should be able to analyze each joke and find which fallacy it takes. A rough review of what I remember in this book strikes me that equivocation is all that Woody uses. Or are there non-sequitors as well? That is what Dave Barry always uses. Booger booger booger. Woody is much more sophisticated. Hence, has a smaller audience.
Is it still politically correct to let everyone know we still like Woody or would this suggest bad things about our characters especially if we have adopted daughters? If Woody writes an autobiography and we go to a magician who throws in Woody's book with us -- what would happen? What would happen if the magician throws in this book? Would we find ourselves back in the same magician's office?
Why is there no sequel?
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