Early Netherlandish Triptychs: A Study in Patronage |
Contents
The Emergence of the Triptych | 1 |
The Bladelin Altarpiece by Rogier van der Weyden | 17 |
The Jean Braque Altarpiece by Rogier van | 29 |
The Edelheer Altarpiece by a Follower of Rogier | 49 |
The Martyrdom of St Erasmus Altarpiece by Dieric | 71 |
The Altarpiece of the Two St Johns by Hans | 87 |
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Common terms and phrases
Adoration altar angels Annunciation Anthony appear architectural artist Beaune Bladelin altarpiece Blessed Sacrament Bouts's Braque altarpiece Bruges Brussels center panel chapel chateau Child Christ Christopher Church of St confraternity Copyright ACL Brussels Crucifixion death dedicated Deesis Descent devotional Dieric Bouts diptych donor Early Netherlandish Painting Edelheer Erasmus Erwin Panofsky exterior fifteenth century figures Flemish funerary Giles Greverade grisaille Guigone Hans Memlinc Holy hospital of St hôtel-Dieu Ibid iconography illus Illustration Jan van Eyck Jean John the Baptist John the Evangelist kneeling l'art landscape Last Judgment Last Supper left wing London Louvain Lübeck Madonna Magdalen Magi major Mary Memlinc Middelburg Moreel motif Musée Communal Museum Nativity Nicolas Paatz painter Panofsky Paris Passion patron saint Peter Philip pictorial Portinari altarpiece Réau religious representation right wing Robert Campin Rogier Rolin Rolin Madonna sacred scene Speculum Humanae Salvationis Testament theme tion tradition Trinity triptych Virgin vols Weale Weyden