Synopsis
A documentary made for the PBS program American Masters about the comedy team Nichols and May.
1996 Directed by Phillip Schopper
A documentary made for the PBS program American Masters about the comedy team Nichols and May.
I literally don’t care if I never find a husband but if I don’t find a comedy partner that makes me as happy as these two were it’s gonna be all over for me I’m so serious
Doesn't offer a whole lot outside of the duo's friendship before and during their years together and some footage of them in action. Would have loved to have seen what caused the rift that happened between them to cause the break up and their outstanding prolific solo careers
The repeated use of “Huguenot Balloon Drive” in Nichols & May sketches is everything to me.
As a documentary though, this is just clips of their television appearances with comedians like Steve Martin and Robin Williams saying, “They were intelligent—but funny!” in between.
Nothing special as a documentary, just a basic overview of their career, but goddamn are those clips funny. Worth watching just for the footage of their routines. This sent me down a rabbit hole.
Girls don’t want boyfriends they want Elaine May!
Incredibly charming & a wonderful resource to first introduce yourself to the dynamic duo & be witness their incredible chemistry.
This did a pretty good job of breaking down the duos' career as a team. But I could have used a look at their lives away from the cameras and microphones, and what drove them. This could have used another thirty minutes.
Documentaries have really vastly improved, and Nichols and May deserve something much more in depth and interesting than this
medal of freedom for christopher quinn because he added this to letterboxd!
if this had been on here summer of 2019 i'd be real embarrassed because it was a daily occurrence at that point in my life
Elaine May I am begging you like I have never begged anybody for anything else ever before PLEASE give me a chance
Little more than a clip show with some very simple talking heads (Steve Martin's kinda the only one I'd call useful but Irving Penn's just so darn cute); some gags playing out in a very total-totality but when they're as GOOD as the mother and son telephone call (May's acting here is unironically SO great), who gives a hoot