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Shunga is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate the Ukiyo-e movement. Translated literally, the Japanese word shunga means picture of spring; "spring" is a common euphemism for sex. The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life. Following the aesthetics of everyday life, Edo period shunga sought to express the sexual mores of the chōnin in the widest variety of forms possible, and therefore depicted heterosexual and homosexual, old and young alike, as well as a wide range of fetishes. In the Edo period it was enjoyed by rich and poor, men and women, and despite being out of favour with the shogunate, carried very little stigma. Almost all ukiyo-e artists made shunga at some point in their careers, and it did not detract from their prestige as artists. Classifying shunga as a kind of medievalpornography can be misleading in this respect. Shunga has its origins in China. It is thought that shunga were initially inspired by illustrations in Chinese medical manuals, a process which had its origins in the Muromachi era (1336 to 1573). Zhou Fang, the great T'ang dynasty Chinese erotic painter, is thought to also have been influential. He, like many erotic artists of his time and place, tended to exaggerate the size of the genital organs, a common shunga topos. While the literal meaning of the word, 'shunga,' is significant, it is in fact a contraction of, 'shunkyu-higa,' the Japanese name for Chinese sets of twelve scrolls depicting the twelve sexual acts that the crown prince had to carry out as an expression of yin–yang. (Full article...)
A geisha at work lighting a client's cigar. Geisha are often hired to attend parties and gatherings, traditionally at tea houses or at traditional Japanese restaurants.
Before the outbreak of World War I, German naval ships were located in the Pacific; Tsingtao developed into a major seaport while the surrounding Kiautschou Bay area was leased to Germany since 1898. During the war, Japanese and British Allied troops besieged the port in 1914 before capturing it from the German and Austro-Hungarian Central Powers, occupying the city and the surrounding region. It served as a base for the exploitation of the natural resources of Shandong province and northern China, and a "New City District" was established to furnish the Japanese colonists with commercial sections and living quarters. Tsingtao eventually reverted to Chinese rule by 1922.
Asahi Breweries is a Japanese global beer, spirits, soft drinks and food business group. This photograph, taken during the blue hour with a full moon, shows the headquarters of Asahi Breweries in Sumida, Tokyo, as viewed from the wharf on the Sumida River near Azuma Bridge. The Asahi Beer Hall, topped by the Asahi Flame, designed by Philippe Starck, is visible on the right, with the Tokyo Skytree in the background on the left.
The Japanese government-issued dollar was a form of currency issued between 1942 and 1945 for use within the territories of Singapore, Malaya, North Borneo, Sarawak and Brunei, under occupation by Imperial Japan during World War II. The currency, informally referred to as "banana money", was released solely in the form of banknotes, as metals were considered essential to the war effort. The languages used on the notes were reduced to English and Japanese. Each note bears a different obverse and reverse design, but all have a similar layout, and were marked with stamped block letters that begin with "M" for "Malaya". This 1945 one-thousand-dollar Japanese-issued banknote, depicting a bullock cart on the obverse and a man with water buffaloes in a stream on the reverse, is part of the National Numismatic Collection at the Smithsonian Institution.
Other denominations: '"`UNIQ--templatestyles-00000011-QINU`"'
The siege of Osaka was a series of battles undertaken by the Japanese Tokugawa shogunate against the Toyotomi clan, and ending in the clan's dissolution. Divided into two stages (the winter campaign and the summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. This eight-metre-long (26 ft) painting, titled The Summer Battle of Osaka Castle and executed on a Japanese folding screen, illustrates Osaka Castle under siege, and was commissioned by the daimyoKuroda Nagamasa, who took a team of painters with him to the battlefield to record the event. The painting depicts 5071 people and 21 generals, and is held in the collection of Osaka Castle.
The Hōzōmon is the inner of two large entrance gates that ultimately leads to the Sensō-ji in Asakusa, Tokyo. This two-story gate houses many of the Sensō-ji's treasures on its second story, while the first story houses several statues, lanterns and two giant sandals.
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated five gulden, is part of the 1942 series.
Flowering Plum Tree (after Hiroshige), a copy of the ukiyo-e woodblock print Plum Park in Kameido by the Japanese artist Hiroshige. Completed in 1887, this painting is one of several Japanese-influenced works created by Vincent van Gogh after the opening up of Japan. In his copy, van Gogh ignored the shading present in the trunk and background of Hiroshige's image, which there implied age, and instead used colours with more "passion" and "youthfulness".
A registration card for Louis Wijnhamer (1904–1975), an ethnic Dutch humanitarian who was captured soon after the Empire of Japan occupied the Dutch East Indies in March 1942. Prior to the occupation, many ethnic Europeans had refused to leave, expecting the Japanese occupation government to keep a Dutch administration in place. When Japanese troops took control of government infrastructure and services such as ports and postal services, 100,000 European (and some Chinese) civilians were interned in prisoner-of-war camps where the death rates were between 13 and 30 per cent. Wijnhamer was interned in a series of camps throughout Southeast Asia and, after the surrender of Japan, returned to what was now Indonesia, where he lived until his death.
Hiroh Kikai (鬼海 弘雄, Kikai Hiroo, 18 March 1945 – 19 October 2020) was a Japanese photographer best known within Japan for four series of monochrome photographs: scenes of buildings in and close to Tokyo, portraits of people in the Asakusa area of Tokyo, and rural and town life in India and Turkey. He pursued each of these for over two decades, and each led to one or more book-length collections.
Although previously a respected name in Japanese photography, Kikai was not widely known until 2004, when the first edition of his book Persona, a collection of Asakusa portraits, won both the Domon Ken Award and Annual Award of the PSJ. In 2009, the ICP and Steidl copublished Asakusa Portraits for an international market. (Full article...)
Akita Prefecture is a prefecture of Japan located in the Tōhoku Region of northern Japan. The capital is the city of Akita. Separated from the principal Japanese centres of commerce, politics, and population by several hundred kilometres and the Ou and Dewa mountain ranges to the east, Akita remained largely isolated from Japanese society until after the year 600CE. Populated principally by the Ainu people, Akita was a region of hunter-gatherers and principally nomadic tribes. The first historical record of Akita-ken dates to 658CE, when the General Abe no Hirafu conquered the native Ezo tribes at Akita city and Nushiro. Hirafu, then governor of the Koshi region, established a fort on the Mogami river, and thus began the Japanese settlement of the region. In 733, a new military settlement—later renamed Akita Castle—was built in modern-day Akita city at Takashimizu, and more permanent roads and structures were developed. The region was used as a base of operations for the Japanese empire as it drove the native Ezo people from northern Honshū. It shifted hands several times in the interim. During the Tokugawa shogunate it was appropriated to the Satake family in 1602, who ruled the region for 260 years, developing the agriculture and mining industries that are still predominant today. Throughout this period, it was classified as part of Dewa Province and remained politically quite stable. In 1871, during the Meiji Restoration, Dewa province was reshaped and the old daimyō regions (called "han") were abolished and administratively reconstructed, resulting in the modern-day borders of Akita.
Image 34Minamoto no Yoritomo was the founder of the Kamakura shogunate in 1192. This was the first military government in which the shogun with the samurai were the de facto rulers of Japan. (from History of Japan)
Image 37Mount Aso 4 pyroclastic flow and the spread of Aso 4 tephra (90,000 to 85,000 years ago). The pyroclastic flow reached almost the whole area of Kyushu, and volcanic ash was deposited of 15 cm in a wide area from Kyushu to southern Hokkaido. (from Geography of Japan)
Image 46Japanese experts inspect the scene of the alleged railway sabotage on South Manchurian Railway that led to the Mukden Incident and the Japanese occupation of Manchuria. (from History of Japan)
Image 48The Kuril Islands, with their Russian names. The borders of the Treaty of Shimoda (1855) and the Treaty of St. Petersburg (1875) are shown in red. Currently, all islands northeast of Hokkaido are administered by Russia. (from Geography of Japan)
Image 49Map showing the territories of major daimyō families around 1570 CE (from History of Japan)
Image 55Japan (Iapam) and Korea, in the 1568 Portuguese map of the cartographer João Vaz Dourado (from History of Japan)
Image 56Relief map of the land and the seabed of Japan. It shows the surface and underwater terrain of the Japanese archipelago. (from Geography of Japan)
Image 74A handscroll painting dated c. 1130, illustrating a scene from the "Bamboo River" chapter of The Tale of Genji (from History of Japan)
Image 75A social hierarchy chart based on old academic theories. Such hierarchical diagrams were removed from Japanese textbooks after various studies in the 1990s revealed that peasants, craftsmen, and merchants were in fact equal and merely social categories. Successive shoguns held the highest or near-highest court ranks, higher than most court nobles. (from History of Japan)
Image 82Samurai could kill a commoner for the slightest insult and were widely feared by the Japanese population. Edo period, 1798. (from History of Japan)
Image 83Territorial extent of Yamato court during the Kofun period (from History of Japan)
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