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Leslie Felperin

Contributing Film Critic

Leslie Felperin is a Contributing Film Critic at The Hollywood Reporter. Before joining THR, Felperin wrote reviews for Variety and Moving Pictures and was the Deputy Editor of Sight and Sound. Her work has appeared in The Guardian, the Financial Times and the Independent, among others. She graduated from the University of Glasgow with a degree in English Language and Literature, and has taught English and Film Studies at Goldsmiths College and Middlesex University.

More from Leslie Felperin

‘The Most Precious of Cargoes’ Review: Michel Hazanavicius’ Mawkish Animated Holocaust Fable

The French Oscar winner ('The Artist') premiered his latest, about a Jewish baby abandoned in the woods during World War II, in the main Cannes competition.

‘Armand’ Review: Ingmar Bergman’s Grandson Directs Renate Reinsve as a Mother Defending Her Son in Ambitious School-Set Drama

Writer-director Halfdan Ullmann Tondel makes his feature debut with this contender in Cannes' Un Certain Regard section.

‘The Shrouds’ Review: Vincent Cassel and Diane Kruger Star in David Cronenberg’s Sincere but Undercooked Sci-Fi Drama

The auteur's latest Cannes competition entry is about a widower businessman who invents a device that allows him to monitor his dead wife.

‘The Balconettes’ Review: Noemie Merlant’s Genre-Bender About Female Friendship and Sexual Violence Is a Hot Mess

Souheila Yacoub, Sanda Codreanu and Lucas Bravo co-star alongside the director in a movie whose script had collaborative input from Celine Sciamma.

‘Rumours’ Review: Cate Blanchett and Alicia Vikander Play Clueless World Leaders in Guy Maddin’s Very Funny, Truly Silly Dark Comedy

Canadian directors Maddin, Evan Johnson and Galen Johnson satirize the ineffectual meagerness of global summits and draft resolutions in their Cannes-premiering romp.

‘Limonov: The Ballad’ Review: Ben Whishaw in Kirill Serebrennikov’s Perplexing Portrait of a Russian Writer and Dissident

The Cannes competition regular returns with his first English-language (but heavily Russian-accented) effort, about poet-punk-prisoner-gadfly-neo-Fascist Eduard Limonov.

‘The Invasion’ Review: Sergei Loznitsa’s Doc About Ukrainian Life During Wartime Is Quietly Devastating

The footage observes ordinary citizens and soldiers and folks who are a bit of both trying to get on with things in the few years since Russia crossed the border.

‘The Surfer’ Review: Nicolas Cage Goes Entertainingly Mad in Fun, Flashy Australian Thriller

Director Lorcan Finnegan's fourth feature revolves around a man whose surfing plans are thwarted by menacing thugs and even more menacing wild animals.

‘Three Kilometers to the End of the World’ Review: An Overly Tidy Romanian Drama About a Homophobic Hate Crime

Ciprian Chiujdea stars in director Emanuel Parvu's third feature as a young man forced to reveal a secret after he's brutally attacked.

‘Bird’ Review: Andrea Arnold Switches Up Her Playbook With a Warmhearted Fable Starring Barry Keoghan and Franz Rogowski

Newcomer Nykiya Adams co-stars as a 12-year-old trying to protect her younger siblings and herself from domestic violence in working-class England.

‘The Girl With the Needle’ Review: A Dark, Urgently Timely Danish Drama About an Unwanted Pregnancy

The Palme d'Or competitor from Magnus von Horn centers on the vulnerability of pregnant women at a time when abortion was illegal and other options few and far between.

‘Back to Black’ Review: Flawed but Affecting Amy Winehouse Biopic Benefits From Marisa Abela’s Intensely Physical Performance

Sam Taylor-Johnson's film about the dazzlingly talented English singer who died at age 27 also features Jack O'Connell, Eddie Marsan and Lesley Manville.