Days of Future Passed
1967 studio album by The Moody Blues / From Wikipedia, the free encyclopedia
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Days of Future Passed is the second album and first concept album by English progressive rock band the Moody Blues, released in November 1967 by Deram Records.[5]
 | This article contains too many or overly lengthy quotations. (April 2024) |
| Days of Future Passed | ||||
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| Studio album by | ||||
| Released | 10 November 1967 | |||
| Recorded | 9 May – 3 November 1967 | |||
| Studio | Decca, London | |||
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| Length | 41:34 | |||
| Label | Deram | |||
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| The Moody Blues chronology | ||||
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| Singles from Days of Future Passed | ||||
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The album represents a significant creative turning point for the band. The album is their first with guitarist and singer Justin Hayward in place of Denny Laine and bassist John Lodge in place of Clint Warwick. The album is also their first to feature longtime producer and collaborator Tony Clarke and the first to feature keyboardist Mike Pinder on Mellotron. These changes, combined with a shift away from R&B covers toward original compositions and a thematic concept, helped define the band's sound for the next several albums and earned the group new critical and commercial success.
The album was recorded to showcase the stereo recording techniques of Decca Records' new imprint, Deram. The label had requested the group record covers of pop and classical music along with an orchestra. Instead, the album features original compositions expressing the day in a life of an everyday person, interspersed with orchestral interludes arranged and conducted by Peter Knight and performed by the London Festival Orchestra.
The album was a moderate success upon release, but steady FM radio airplay and the success of hit single "Nights in White Satin", caused the album to become a top ten US hit by 1972. It has since been listed among the most important albums of 1967 by Rolling Stone, and is cited by the Rock and Roll Hall of Fame and others as an example of the first progressive rock album[6] and one of the first concept albums.[7]