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Borstal Boy (Nonpareil Books) Paperback – September 1, 2004
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A teenage volunteer in the IRA, a fanatical believer, Brendan Behan was arrested with explosives at the age of 17 and spent three years locked in a British juvenile borstal. There he begins to wonder, who’s really the enemy?
Borstal Boy is both a riveting self-portrait and a window into the problems, passions, and heartbreak of Ireland’s past. It is also a record of a change of heart. Inside the borstal (reform school), Behan meets British Protestants who are there for reasons of their own. He begins to see that class creates more common ground than he ever believed while religion and nationality are much more superficial divisions between people than he’d ever been taught. Released, Behan returned to Ireland changed though still and a rebel—and became one of that country’s most important dramatists with the plays The Quare Fellow, The Hostage, and Richard’s Cork Leg.
Celebrated for its dialogue and masterful characterization, Borstal Boy has endured as an important document of a time and an artist.
Review
“Without a doubt, Borstal Boy is the most important book of its kind published this century.”―New Statesman
About the Author
Brendan Behan was an author and playwright―and also a member the Irish Republican Army. Born in Dublin into a staunchly republican family, he became a member of the IRA’s youth organization Fianna Éireann at the age of fourteen. Behan eventually joined the IRA which led to his serving time in a Borstal youth prison in the United Kingdom and he was also imprisoned in Ireland. Subsequently released from prison as part of a general amnesty given by the Fianna Fáil government in 1946, Behan moved between homes in Dublin, Kerry and Connemara, and also resided in Paris for a time.
In 1956, Behan’s first play, The Quare Fellow gained him a wide reputation. This was helped by a famous drunken interview on BBC television. In 1958, Behan’s play in the Irish language An Giall had its debut at Dublin’s Damer Theatre. Later, The Hostage, Behan’s English-language adaptation of An Giall, met with great success internationally. Behan’s autobiographical novel, Borstal Boy, was published the same year and became a worldwide best-seller.
Benedict Kiely was one of the most beloved Irish authors. In 1996, he was named Saoi of Aosdána, the highest honor given by the Arts Council of Ireland.
- Print length386 pages
- LanguageEnglish
- PublisherDavid R. Godine, Publisher
- Publication dateSeptember 1, 2004
- Dimensions5.54 x 1.17 x 8.26 inches
- ISBN-101567921051
- ISBN-13978-1567921052
- Lexile measure1340L
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Product details
- Publisher : David R. Godine, Publisher; Later prt. edition (September 1, 2004)
- Language : English
- Paperback : 386 pages
- ISBN-10 : 1567921051
- ISBN-13 : 978-1567921052
- Lexile measure : 1340L
- Item Weight : 1.05 pounds
- Dimensions : 5.54 x 1.17 x 8.26 inches
- Best Sellers Rank: #510,251 in Books (See Top 100 in Books)
- #566 in Censorship & Politics
- #2,169 in Criminology (Books)
- #2,385 in Author Biographies
- Customer Reviews:
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The older Behan would become a monster devouring himself. There are unsparing accounts of the older Behan in John Ryan's "Remembering How We Stood" (Ryan is perhaps overly gentle with him!), in Anthony Cronin's "Dead as Doornails" (very harsh, dark, true…), and J.P. Donleavy's "The History of the Ginger Man" (equally hilarious and hair-raising!)...
There are four primary strenghts to this great work.
First, the language is witty, charming, and creative. I found the mixture of Irish and British male adolescent working class slang to be musical and amusing. Behan had a wonderful sense of dialogue and the manner in which young men verbally duel with each other, striving for rank and dominance and friendship.
Second, the story is unique. A 17 year old IRA terrorist is arrested and sent to a youth facility full of adolescent petty criminals. The worlds of incarcerated vs. free; adult vs. adolescent; Catholic vs. Protestant; Irish vs. English: and criminal vs. political prisoner are just a few of the wonderful tensions and juxtapositions that Behan creates.
Third, is Behan's slow pace and ability to observe the most remote details, describe them uniquely, and then weave these streams of images together to create a world and to populate it with characters that ring true with every word.
Fourth, the story is a tremendous testament to the goodness of mankind. Underneath the tensions, the rivalry, the ideology, the story reveals the simple common kindness of mankind. Brendan Behan may have evoked this kindness through his own exceptional openness and acceptance of his fellowman or he may have observed this kindness through this insightful but possibly biased vision of the innate goodness of mankind; but, none the less, his faith in our sometimes distorted and crippled species shines through the autobiography like a beacon of hope.
I wish I could have given more than 5 stars to this superb work. Don't rush through this book. Let Behan take you into his experiences and his kind view of the world of man.
As he begins in a remanded prison before his transfer to London and ultimately to a Borstal (reform school) he meets with a variety of characters both fellow prisoners and "screws" or guards and they populate his story that also includes incredibly detailed descriptions of the routine of a life behind bars.
Behan became famous as a playwright and notorious drinker in his later years and died tragically young apparently from years of heavy drinking. He is a writer of great insight and power and should not be missed by anyone interested in Irish literature.