Tempo in Music | Definition, Markings & Speed
Table of Contents
- What Is Tempo in Music?
- Types of Tempo Markings
- Implied Tempo
- Using a Mnemonic Device to Learn Tempo
- Lesson Summary
What is tempo in music?
Tempo is the speed of a given piece or section of music. Tempo is usually measured in beats per minute or BPM.
What are the different tempos in music?
Listed from slowest to fastest, some of the different tempos in music include grave, lento, largo, adagio, adante, moderato, allegretto, allegro, vivace, presto, prestissimo.
Allegro is among the most common, ranging from 105 to 132 BPM.
Table of Contents
- What Is Tempo in Music?
- Types of Tempo Markings
- Implied Tempo
- Using a Mnemonic Device to Learn Tempo
- Lesson Summary
Tempo in music is defined as the speed of a given section or piece of music. Tempo is most commonly measured by the beats per minute (BPM), which means simply the number of beats that are recorded in a minute at that particular tempo.
A tempo with fewer beats per minute, or a lower BPM, is slower than a musical section or piece with a higher BPM. A lower BPM is more likely to have a relaxing and/or depressing effect on the listener, while a higher BPM is more likely to incite feelings of excitement in the listener.
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The preferred tempo for a given piece or section of music, as is often specified by the composer, is communicated to the reader or performer of sheet music in the form of specialized words (often Italian) that are known as tempo markings. On a piece of sheet music, the tempo marking is located above the first bar and is sometimes accompanied by the exact BPM that the composer envisions.
Speed
Tempo markings are specific words that convey ranges of BPM. The range of BPM for one tempo marking may overlap with the BPM range of another tempo marking. Listed in order from slowest to fastest, the following are the most prominent tempo markings:
- Grave: extraordinarily slow and/or mournful, clocking in at 20 to 40 BPM.
- Lento: less trudging than the grave, though still considerably slower than the average BPM, lento is characterized by a 40 to 50 range BPM.
- Adagio: translated to "at ease," the adagio may best be described as relaxedly paced ranging from 51 to 60 BPM.
- Andante: intended to replicate the walking pace of individuals who are not in any rush, the Andante also approximates the resting heart rate of most individuals, varying from 60 and 80 BPM.
- Moderato: as the name suggests, moderato is decidedly moderate in its pacing from 81 to 90 BPM.
- Allegretto: faster than average, though by no means frantic in its pacing, the allegretto includes BPM from 91 to 104.
- Allegro: faster yet, the allegro inspires excitement in the listener, as well as the one(s) playing the piece, with a BPM range covering 105 to 132
- Vivace: faster than allegro, Vivace can stimulate feelings of restlessness in the listener with its BPM between 132 to 140 BPM.
- Presto: likely to inspire feelings of anxiety in the listener with its seemingly unsafe pace, Presto speeds between 168 to 177 BPM.
- Prestissimo: almost certainly carrying at unsafe speeds, the breakneck prestissimo is anything faster than 177 BPM.
Character
In addition to determining the speed of a particular musical piece or musical phrase within a piece, tempo markings can also be used to communicate the feeling or the character with which a piece is played. Critically, tempo markings that help determine the piece's character may also specify tempo changes, though this is not always the case. For instance, the tempo marking of ritenuto only affects the character of the piece and does not mandate a change in tempo. Such designations are still referred to as tempo markings because they make a piece feel as though it were going faster or slower.
Tempo markings that determine character include:
- Tranquillamente: meaning the piece should be played tranquilly
- Animato: meaning the piece should be played with animation and vibrancy
- Furioso: meaning the piece should be played with fury, wildness, and near-abandon
Expression
Lending further credence to the intimate interlinking of tempo and expressiveness, some tempos refer to an emotional quality of the music rather than the music's speed. For instance, rubato, meaning "stolen" in Italian, does not refer to any particular BPM but to the exhilarating precariousness of an uneven tempo and the sense that the beat could be lost at any moment. Rubato is quite common in baroque music.
Meno mosso and Piu Mosso are tempo markings that mean "slow down" and "speed up." They are closely related to two other tempo markings, accelerando and ritardando which mean "gradually speed up" and "gradually slow down," respectively.
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Sometimes, tempo is alluded to in the very title of a piece, rendering tempo markings unnecessary. Titles of pieces typically allude to tempos by referring to a particular kind of music wherein a certain range of tempos predominates. If a musical piece were to include "boss nova" in the title, this would indicate to the performing musicians that a relaxed tempo, which is nearly universal in boss nova music, is expected.
In the classical period, tempos could also be implied by the structure of a musical piece with specific tempos applicable to specific sections. Sonata tempo, for instance, is allegro, owing to where the sonata section is placed in the classical scheme. Nevertheless, the various movements in a classical piece often still include tempo markings. The first movement of Beethoven's Ninth Symphony is labeled "allegro ma non troppo," which means "quickly, but not too quickly."
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As it is important for musicians who are collaborating or playing together to play at the same tempo (assuming that is the intention), musicians need to memorize the common tempo markings. This is much more easily done when employing mnemonic devices. For example, "Gracious Llamas Love Autumn Apples, Mostly After A Vivacious Picking Party" represents grave, lento, largo, adagio, andante, moderato, allegretto, allegro, vivace, presto, and prestissimo, which are conveniently ordered from slowest to fastest.
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Tempo is the speed of a given piece of music. It is most commonly measured by the number of beats that occur in a minute known as beats per minute (BPM). Some of the more popular tempos include (from slowest to fastest) grave, lento, largo, adagio, andante, moderato, allegretto, allegro, vivace, presto, prestissimo. Allegro is one of the most common, which partially owes to its wider range of 105 to 132 BPM, and is known to cause excitement in listeners. Largo reflects one of the slowest tempos with a pace of 40 to 50 BPM. Beethoven's Ninth Symphony has a first movement that is labeled "allegro ma non troppo," meaning "fast, but not too much."
Other tempos include Meno mosso and piu mosso, which means "less quickly" and "more quickly," respectively, tranquillamente (tranquil), meaning the piece or section should be played tranquillity, and rubato means to "play expressively." When using rubato, the player may choose to flex, extend, or contract certain beats for emphasis or may choose to disregard the beat altogether. Rubato playing is common in Baroque styles of music.
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Video Transcript
Tempo and Beats per Minute
Imagine you are walking your dog. You are walking at a slow, steady pace, enjoying the sunshine. Then, suddenly, your dog begins chasing a squirrel and pulls you along at breakneck speed; your heart is racing, and your legs are scrambling so fast they feel as if they're barely touching the ground. In this, your dog has just taught you the concept of tempo.
Tempo can be defined as the pace or speed at which a section of music is played. Tempos, or tempi, help the composer to convey a feeling of either intensity or relaxation. We can think of the tempo as the speedometer of the music. Typically, the speed of the music is measured in beats per minute, or BPM. For example, if you listen to the second hand on a clock, you will hear 60 ticks - or in musical terms, 60 beats - in one minute.
The tempo can have virtually any amount of beats per minute. The lower the number of beats per minute, the slower the tempo will feel. Inversely, the higher the number of beats per minute, the faster the tempo will be. You can think of it like a speed limit. The higher the number of the speed limit, the faster you are allowed to drive.
Tempo Markings - Speed
While car speeds are dictated with street signs, tempos are often indicated with an Italian word. These words, called tempo markings, can appear anywhere in a piece of music, but most often, they are seen either at the beginning of a piece of music or at the beginning of a section within a piece of music. The tempo markings represent a spectrum of tempi. Let's look at some of the most common tempi and their place within the spectrum of 20 beats per minute to 208 beats per minute.
Starting with one of the slowest tempos, grave is extremely slow and solemn at 20 to 40 beats per minute. Playing or listening to a song at this pace can be difficult, as the pulse of the song is literally about every two seconds. This does make its name easy to remember, though, as you'd basically have to have recently risen from the grave to move that slowly.
Largo is the next bump up the speedometer with a pace of 40 to 50 beats per minute. At around the same tempo, we also have lento, which falls between 40 to 60 beats per minute. The difference between the two is that lento is generally slow, and largo is reserved for more broadly-played music. Largo is usually reserved for thick, bold or even majestic sounds, like the feeling you might get when approaching a king's castle. Lento, on the other hand, is used to denote slow music in general and tends not to be so thick or emotional.
One more notch up the tempo ladder is adagio. Adagio checks in at 51 to 60 beats per minute and literally means 'at ease.' A very common tempo is andante. Andante is meant to be at walking pace and generally registers from 60 to 80 beats per minute. Remember that these tempi were determined before stressed-out Wall Street bigwigs and corporate movers and shakers were moving so quickly. Andante can also be remembered as near one's resting heart rate.
At the middle of the spectrum is moderato. Moderato, as you can probably guess, is at a moderate pace and is played at 81 to 90 beats per minute. From here, we start moving into faster tempi. Allegretto is moderately quick at 91 to 104 beats per minute. Its slightly quicker brother, allegro, is a very commonly-used tempo, partly because of its happy, quick pace and partly because the range of BPM is so large: its range is from 105 to 132 beats per minute. Many commercials will use this tempo because it is slightly higher than the average heart rate and therefore gives a sense of excitement.
Vivace livens the pace at 132 beats per minute and above, while presto imitates a sprinter's heart at a quick 168 to 177 beats per minute. Finally, prestissimo is the territory of the cheetah at an extremely fast 178 to 208 BPM. For those of you keeping track, that's a little more than three beats per second!
A good way to remember the order of these tempos is with a mnemonic device. The best way is to come up with your own, but here's one to get you started: 'Gracious Llamas Love Autumn Apples, Mostly After A Vivacious Picking Party.' That would be representing grave, lento, largo, adagio, andante, moderato, allegretto, allegro, vivace, presto and prestissimo.
Tempo Markings - Character
Some tempo markings show more of a character, which have implied tempi rather than a strict amount of beats per minute. Though they're Italian, a little common sense is usually enough to guess a proper interpretation. For example, animato is animated and gives a different feeling than that of tranquillamente (tranquil) or even furioso (furiously).
Tempo as a Title and Implied Tempi
Occasionally, tempo markings are part of a song's title, which acts as an obvious indicator of the type of piece it is. Barber's Adagio for Strings is so deeply distraught in sound that it has often played as a background in everything from the announcement of John F. Kennedy's assassination to the satirical accompaniment of South Park and the dramatics of The Simpsons.
Some types of songs imply a tempo, even without being marked. This was often before the Baroque period - the time period when tempo markings began being used. The tempi of these songs were typically based on their purpose. For example, waltzes or pavanes, both of which were used to accompany dances, would need to be played at a slow to moderate speed that one could dance to. You know, because no one wants a broken ankle when they're trying to flaunt their moves on the ballroom dance floor.
In some classical works, the arrangement of the sections is predetermined by the tempi. Many of the forms created in the classical period follow a particular structure, which include specific tempos. For example, the sonata form, often used by Mozart and Beethoven, typically starts with an allegro, or fast, movement. The movements of the piece are often labeled with their tempo marking, such as Beethoven's Ninth Symphony, whose first movement is labeled 'Allegro ma non troppo,' meaning 'fast, but not too much.'
Tempo and Expression
Lastly, tempo changes are an important part of the emotional expression of music. These, too, are marked with Italian words. You could probably guess that accelerando means to 'speed up.' When the pace quickens, the music is driven and becomes more exciting or more tense, drawing the listener in emotionally. Ritardando, on the other hand, means to 'slow down.' Ritardando is often used as a calming or relaxation of tension in music, or can sometimes be dramatic, like a musical signaling of changing mood.
Meno mosso and più mosso are like the yin and yang of speeding up or slowing down, meaning 'less quickly' and 'more quickly', respectively, and these words help bridge the drastic difference between ritardando and accelerando. Finally, rubato means to 'play expressively,' and the player may choose to flex or completely disregard a steady tempo in order to do so. Rubato playing can be used in all styles of music. .
Lesson Summary
Overall, we can see the variety of tempi and their potential effect on music and musical situations. The beats per minute (BPM) determine the pace, with low numbers representing slow paces and high numbers representing fast paces.
We learned the slow tempos grave, lento, largo and adagio; the medium tempos andante, moderato, allegretto and allegro; and the fast-paced tempos vivace, presto and prestissimo.
The tempo can quicken (accelerando) and slow (ritardando). It can give character implications to those performing the music and can even give clues to the type of piece being referenced.
Remember that many of the Italian words describing the specific tempi have synonyms in English; this can be an easy way to memorize the meanings. From dances to somber moments and quick-steps to animated instances, tempo is a significant element of music.
Lesson Objectives
After watching this lesson, you should be able to:
- Define tempo and BPM
- Name the tempo markings that denote speed and their BPM
- Explain how tempo markings can express character and change
- Discuss how tempo may be implied by types of music
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