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Rashi's Daughters, Book I: Joheved: A Novel of Love and the Talmud in Medieval France (Rashi's Daughters Series) Paperback – July 31, 2007
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In 1068, the scholar Salomon ben Isaac returns home to Troyes, France, to take over the family winemaking business and embark on a path that will indelibly influence the Jewish world, writing the first Talmud commentary, and secretly teaching Talmud to his daughters.
Joheved, the eldest of his three girls, finds her mind and spirit awakened by religious study, but, knowing the risk, she must keep her passion for learning and prayer hidden. When she becomes betrothed to Meir ben Samuel, she is forced to choose between marital happiness and being true to her love of the Talmud.
Rich in period detail and drama, Joheved is a must read for fans of Tracy Chevalier's Girl With a Pearl Earring.
Review
“A compelling combination of drama, suspense, and romance.”—Lilith magazine
From the Author
Built on seven years of exhaustive historical research and ten years of Talmud study, "Rashi's Daughters" explores what might have been, weaving actual events, as described in responsa literature and Talmud commentaries, into an account of the lives of these amazing women. Talmud is an integral part of these novels; readers will learn along with Rashi's daughters as he explains selected texts. This is also the story of the medieval French Jewish community, how they lived, loved, worked, ate, prayed and interacted with their non-Jewish neighbors. A wealth of material about Jewish women's daily lives is provided, including how they observed life cycle events and holidays.
I wrote this book because I wanted to share my research into Jewish women's lives in medieval France, how the prosperity and tolerance they enjoyed differed from the negative stereotypes usually associated with the Middle Ages. In addition, I wished to encourage women to study Talmud, the foundation of Jewish Law that, until very recently, women have been unable to access. I hoped to share the excitement and pleasure Talmud study can engender.
From the Inside Flap
Recently, a new book titled Rashi's Daughters, written by Maggie Anton, has taken the torch from Anita Diamant, while using more research to explain the phenomenon that is Rashi and his daughters. - The Jewish Newsweekly of Northern California
Anton does for the time of Rashi what Milton Steinberg did for the Tannaim in As a Driver Leaf ... This historical novel will especially appeal to Jewish women, but it teems with information that I certainly did not know before ... Anton's enthusiasm for her subject is infectious, and I came to care about the characters, as well as the relevant application of Talmudic argument. - Rabbi Laurence Edwards, CCAR Newsletter
Joheved, the eldest of Rashi's three daughters, has a secret wish, something that is strictly forbidden to Jewish women in 11th-century France: she seeks to study the Talmud. For years, Joheved has watched enviously as her father, the great scholar Rashi, teaches the Talmud to male students ... Like a mirror held up to the past, this first volume in a trilogy draws readers into the lives of medieval French Jewish women; much like Anita Diamant's The Red Tent, it delves into the rituals of women who were forgotten by history and marginalized by society. - Library Journal
One can begin to wonder if Anton was a fly on the wall, so realistic are her characterizations. Rashi's Daughters was written in celebration of the 900th anniversary of the yahrzeit of the great talmid chacham, who was known in his time to have taught Talmud to members of his family -- his daughters! ... Anton not only recreates a medieval French community but is faithful to many little-known details of Jewish ritual, including marital relations, childbirth, life-cycle events and holidays. In Rashi's time, a daughter was "chattel" and had only a choice of refusal to a marriage, but Yocheved was strong-willed and intellectual. So she was allowed to choose decidedly unfeminine studies, as well as marriage to a young man who wanted his intellectual match, not merely a betrothed servant to bear his young... Anton spent years on her own Talmud study that has enabled her to craft a beautiful story that captures the essence of the times and lives of her protagonists ... For us -- hours of enjoyable reading. - The Jewish Press
Anton takes on a formidable task in her novel Rashi's Daughters. She spent seven years gathering research and it shows. The immersion into the world of 11th-century Troyes, France, is complete. She describes the politics of counts, the making of parchment, the hand soap made from mutton fat and the use of moss instead of toilet paper ... I am particularly grateful for Anton's vivid and careful research into the winemaking profession, which throws a fascinating light on the everyday life of Rashi and his family. - World Jewish Digest
A labor of love by new author Maggie Anton brings the world of medieval French Jewry to life, touching upon everything from parchment-making and Tallmudic discourse to midwifery and grape harvests. ... Anton creates characters who engage us with their ideas and their struggles. In the tradition of Diamont's The Red Tent, this is historical fiction that brings our heritage as Jewish women closer to home. Rashi himself leaps off the margins of the Talmud page to take shape as son, husband, father and grandfather. With a compelling combination of drama, suspense and romance, Anton takes her readers on a journey to Troyes, France during the eleventh century. While frequent reference to ghosts, amulets and magic potions remind us that we're in the medieval world, the characters also experience timeless concerns: pre-wedding jitters, a grandmother's dementia, problems of religious coexistence, and the struggle to balance individual goals and family needs. - Lilith Magazine
I just finished reading Maggie's wonderful book over Shabbat and enjoyed it immensely. I also learned a great deal. She really painted a wonderful scene of Jewish life in medieval France and I loved the characters. Congratulations - it's a wonderfully imaginative and informative book. - Devorah Zlochower Director of Programs, Drisha Institute, NY
With her crisp and straightforward language, Maggie Anton quickly transports her reader into 11th-century France and the female-dominated household of Rashi, the respected Talmud scholar ... Rashi's Daughters is an engaging read on many levels and will appeal to a variety of audiences ... Fans of The Year of Wonder will find many similarities and readers of The Red Tent will be intrigued by the story. - Atlanta Jewish Times
Rashi's Daughters offers readers a glimpse into a fascinating world - a Jewish community in medieval France - and explores the lives of a famous scholar and his (unfortunately) not-so-famous daughters. Anton's extensive research and her imagination combine to retrieve the lives of Jewish women in a way that is both realistic and captivating. This book is a must-read for Jewish women and others seeking to better understand women's religious lives. - Dvora Weisberg, Ph.D., Associate Professor of Rabbinics, HUC-JIR
For those of us who study the classic texts of the Jewish tradition, Bible and Talmud, Rashi's commentary is the indispensable guide. But we tend to forget that this eleventh century French scholar is more than a name on the printed page. He was also a husband, father, grandfather and entrepreneur who lived during one of the most fascinating periods in medieval Jewish history, and who had feelings, frustrations and hopes much like ours today. In her novel, Ms. Anton has brought this man, his family, his century and his entire social setting to life in a vivid and colorful way. No one who reads this novel will ever read Rashi's writings in the same way. This is a stunning accomplishment!
- Dr. Neil Gillman is Professor of Jewish Philosophy at the Jewish Theological Seminary
From the Back Cover
The author has done something both admirable and remarkable: she has immersed herself in Jewish medieval history and the Talmud, and sprinkles both heavily through the first two books of her planned trilogy of novels, so that the reader, like each of Rashi's daughters, finds him/herself studying Jewish thought in greater depth than most people do in their lifetime. So, half-way through Joheved, we read from the Mishna, "Women, slaves, and minors are exempt from reciting the Shema and from laying tefillin ..." The author goes on, "This didn't sound right. She and Miriam both said the Shema at night as protection against demons; every Jew did. Papa, why are women exempt from these mitzvot?"
Lovers of erotica (and Judaism) may be thrilled to read of the marriage night between Joheved and her beloved groom, which is one of the most beautifully and voluptuously depicted sex scenes ever captured in print. (It's also, not unintentionally, one of the greatest advertisements for saving oneself for marriage, and for the keeping of the laws of niddah, or separation during and after a woman's monthly period.) And those of us who have questioned the seemingly anti-life and anti-pleasure attitudes toward sexuality in the other major Abrahamic faiths (the covering of women from head to toe by burkas in several Muslim lands; the linking of sex with the Fall of Man in the Garden of Eden in Christianity, along with the glorification of virginity), will be delighted to read such sympathetic lines from other Jewish texts as "You should delay your climax until your wife has her climax first, and then she will conceive sons." Sexist, perhaps, but please advise me of other faiths which express any interest whatsoever in women's satisfaction from sexual congress.
Rashi's Daughters is a most welcome addition to modern Jewish writing. And a daring one, as well: in Miriam, the second of the series, her husband is filled with longing toward his own gender. (The author is nothing if not controversial in her topics and plots). Are these books Great Art; Literature? I don't think so: they are an inspired concept, deeply researched and well presented. The books lack the authority, power, beauty and depth of quality writing, and too often appear to be study guides to the Talmud, or James A. Michener-type histories (remember Hawaii, Alaska, Poland?) of medieval Judaism. There is often an awkwardness to Ms. Anton's prose, as if she feels obliged to explain all these strange, exotic Jewish beliefs and rituals to non-Jewish (and Jewish!) readers. She is no Saul Bellow or Phillip Roth or Cynthia Ozick, but that's fine; she has set out to write several novels of "Love and The Talmud in Medieval France" as the paperback covers announce proudly, and she is a talented, if limited writer. I am glad that I read the first two volumes of Rashi's Daughters , and I certainly look forward to Anton's final novel. I've certainly never encountered a better depiction of what it was like to be a Jew in Christian Europe, nearly a thousand years ago. Or what it was like to be a thoughtful, devout, yet wise young woman, either.
-- Allan Gould, Kolel: Adult Centre for Liberal Jewish Learning, Toronto
About the Author
She became intrigued with the idea that Rashi, one of the greatest Jewish scholars ever, had no sons, only three daughters. Slowly but surely, she began to research the family and the time in which they lived. Legend has it that Rashi's daughters were learned in a time when women were traditionally forbidden to study the sacred texts. These forgotten women seemed ripe for rediscovery, and the idea of a book about them was born.
Thus came about the award-winning trilogy, Rashi's Daughters, was born, to be followed by National Jewish Book Award finalist, Rav Hisda's Daughter: Apprentice and its sequel, Enchantress. Then she switched to nonfiction, winning the Gold Ben Franklin Award in the religion category for Fifty Shades of Talmud: What the First Rabbis Had to Say about You-Know What, a lighthearted in-depth tour of sexuality within the Talmud. Her latest work is The Choice: A Novel of Love, Faith and the Talmud, a fair-use transformative derivative of Chaim Potok's early novels.
Since 2005, Anton has lectured about the research behind her books at hundreds of venues throughout North America, Europe and Israel. She still studies women and Talmud, albeit mostly online. Her favorite Talmud learning sites are Daf Shevui and Mishna Yomit, provided daily via email by the Conservative Yeshiva in Jerusalem.
- Print length384 pages
- LanguageEnglish
- PublisherPlume
- Publication dateJuly 31, 2007
- Dimensions5.48 x 0.81 x 8.37 inches
- ISBN-100452288622
- ISBN-13978-0452288621
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- Publisher : Plume (July 31, 2007)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 0452288622
- ISBN-13 : 978-0452288621
- Item Weight : 12.2 ounces
- Dimensions : 5.48 x 0.81 x 8.37 inches
- Best Sellers Rank: #271,437 in Books (See Top 100 in Books)
- #248 in Jewish Historical Fiction
- #533 in Jewish Literature & Fiction
- #2,737 in Contemporary Literature & Fiction
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About the author
Maggie Anton is an award-winning author of historical fiction, as well as a Talmud scholar with expertise in Jewish women's history. She was born Margaret Antonofsky in Los Angeles, California, where she still resides. In 1992 she joined a women's Talmud class taught by Rachel Adler. There, to her surprise, she fell in love with Talmud, a passion that has continued unabated for thirty years. Intrigued that the great Jewish scholar Rashi had no sons, only daughters, she started researching the family and their community.
Thus the award-winning trilogy, "Rashi's Daughters," was born, to be followed by National Jewish Book Award finalist, "Rav Hisda's Daughter: Apprentice" and its sequel, "Enchantress." Then she switched to nonfiction, winning the Gold Ben Franklin Award in the religion category for "Fifty Shades of Talmud: What the First Rabbis Had to Say about You-Know What," a lighthearted in-depth tour of sexuality within the Talmud. Her latest work is "The Choice: A Novel of Love, Faith and the Talmud," a fair-use transformative derivative of Chaim Potok’s early novels.
Since 2005, Anton has lectured about the research behind her books at hundreds of venues throughout North America, Europe and Israel. She still studies women and Talmud, albeit mostly online. Her favorite Talmud learning sites are Daf Shevui and Mishna Yomit, provided daily via email by the Conservative Yeshiva in Jerusalem
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Traditional Jewish Bible scholars weren't merely engaged in hermeneutics -- they were also part lawyer and part judge. And women in traditional Judaism took a strong role in business and commerce because the ideal man was a Torah scholar.
Jocheved wants to study Talmud, but Anton did not simply take a woman from 2004 and stick her into 1070 like an extra candle on a birthday cake. Jocheved is not a modern woman ahead of her time, she is a woman of 1070, with all that that implies about worldview.
I gave the book four stars and not five because although Anton does in an afterward indicate which characters are fictional and roughly summarizes what's true and what's not, she does not go far enough in that regard. She does give the cites for the passages of Talmud that she uses. And her explications of Talmud are concise and approachable. It's interesting that they use moss in a privy, and it's interesting that they hung their clothes on poles. I'd like to see more of this kind of thing. It would be interesting to see, since she's planning a sequel, what she might come up with if she consulted discarded parchments from old synagogues, old coroner's records, and any business communications from the time that are still extant. Maybe she did consult these things, but she quotes from the Talmud -- I'd love to see quotes from these other sources because it would allow the reader to know how much is fact and how much is fiction.
Connie Willis in the Domesday Book accomplishes this very well. Or perhaps it's that there are a lot of written sources about 1348 and the plague, and after quoting Agnolo di Tura, a lot less needs to be said:
Father abandoned child, wife husband, one brother another; for this illness seemed to strike through the breath and sight. And so they died. And none could be found to bury the dead for money or friendship. Members of a household brought their dead to a ditch as best they could, without priest, without divine offices ... great pits were dug and piled deep with the multitude of dead. And they died by the hundreds both day and night... And as soon as those ditches were filled more were dug ... And I, Agnolo di Tura, called the Fat, buried my five children with my own hands. And there were also those who were so sparsely covered with earth that the dogs dragged them forth and devoured many bodies throughout the city. There was no one who wept for any death, for all awaited death. And so many died that all believed it was the end of the world.
As far as plot in Rashi's Daughters, there is very little conflict and suspense. The book is not a thriller or a romance in the strict sense of the term, but these are selling points. "Will Jocheved convince Meir that she can study Talmud and still be a Real Woman?" would make it a tiresome formulaic romance, not an historical novel. I'm glad there are no heaving bodices, or ripping bodices, or whatever bodices are supposed to do. Instead the real questions are, "How does this family survive?" and "How do other families survive?" and "What obstacles are there to survival in this Jewish community?"
To the extent that ordinary events happen to these extraordinary intellects, that is a plus, because it allows the reader to concentrate on the intellectual events of the day.
Some people may be put off by the graphic sexual passages, but they aren't stuck in there for prurience's sake: they demonstrate Jewish attitudes toward marital sex, toward men and women, that are extant today, and not merely in 1070. The fact that mainstream traditional Judaism puts such a high premium on passion between married couples -- and not just for procreation -- is an important intellectual and religious distinction (and a surprising one, for folks who have been brought up to believe that religion is repressive to sexuality).
Thank you so much for the wonderful trilogy of Rashi's Daughters. I have read the first two and am anxiously awaiting arrival of the third book. My background: I have been a male nurse for over 30 years, have many Jewish friends and I am Catholic. Your books have provided me a greater understanding of the beautiful Jewish faith. Without appearing vain, in our discussion my Jewish friends have been impressed with my knowledge of holidays, Torah, Talmud, and various interpretations of each. On some occasions I have even been able to answer their questions! We have a wonderful tradition of at each meeting taking time to discuss and debate elements of Torah and Talmud. Some were concerned or confused that I might be violating my faith and I explained that as children of Abraham we also embrace and hold sacred all Torah. We have agreed that it is profitable to discuss and debate what we share and embrace in common, rather than to argue differences. I thank you for the wonderful books you have written which not only cover the religious aspects but also the social, political, economic, and cultural ones as well. Of course I study Scripture as well but your books have brought to life the seasons of both faith and life in a manner that has allowed me to retain and understand as opposed to mere rote memorization of facts.
Baruch atah Adonai ha-po-race sukkat shalom a-leynu v'al-kol a-mo yisrael v'al Yerushalayim
Shalom,
Donald
We also learn about the making of kosher wine and how sheepskins were cured for writing.
It also includes history of the Church at that time and King of France.
A great read.
In Rashi's Daughters, we learn about life in the Champaigne country of 11th Century France -- and Jewish life in particular -- through the lives of a young woman who, while bound by the conventions of her day, was able to use her great intelligence and abilities to a remarkable extent.
This was a golden age of Jewish scholarship, and Rashi was a leading light. This was also a great center of the French wine growing industry. How many great scholars today know how to tend vinyards and make wine? To learn something of daily life in Troyes, France, to learn something of Talmud with references to Worms and Mayence (Mainz), important seats of Jewish learning, and to learn so much about viticulture and winemaking to boot in the context of a page-turner of a story was a joy! Ms. Anton has given us a great gift in this book!
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The first of a trilogy (I quickly bought the next two books!), this novel has fascinated me and did me a lot of good in those turbulent days. Maggie Anton tells the story of one of the most famous Jewish scholars, Salomon Rashi, with each book focussing on each of his daughters. In a time before antisemitism in medieval France, Rashi educates his daughters in the study of Talmud. This was very unusual as women were not supposed to be better educated than their husbands.... I particularly enjoyed reading about the Talmud study and discussions, a very interesting philosophy! I was also amazed at how much it covers daily life up to sexuality, childbirth in great details! Combined with superstitious traditions typical of those times, it made a wonderful, captivating and soooo interesting read! The author stayed as close as possible to what we know about Rashi and his family. Highly recommended! 5*
I would recommend this book with the one word of warning that if you are extremely religiously conservative you may find some of the sex sense too strong (albeit that they all take place within the context of marriage). Unless this applies too you then I am sure you will enjoy this book and even if you know something about Rashi and the Tosafot then you will still learn something from reading this book and have fun at the same time.
What a book! I am not a great reader of historical fiction, but Joheved succeeds in weaving the fascinating details of the period (medieval France) into the story, and so never subjects the reader to tedious blocks of world-building or information dumps. The novel is a little jewel box of speculation...what might it have been like to grow up the daughter of Rashi, who had no sons?
As mentioned by other reviewers, this book contains explicit scenes (within marriage), but they are used in the aid of the story and also serve to answer some of the questions that the secular world might have about "orthodox" attitudes to intimacy. Nevertheless, this one - despite being a coming of age story - is definitely for adults only.