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12 Bar Blues
Amazon Price | New from | Used from |
LP Record, Jan. 1 2023
"Please retry" | $85.34 | $86.30 |
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Track Listings
1 | Desperation #5 |
2 | Barbarella |
3 | About Nothing |
4 | Where's the Man |
5 | Divider |
6 | Cool Kiss |
7 | The Date |
8 | Son |
9 | Jimmy Was a Stimulator |
10 | Lady, Your Roof Brings Me Down |
11 | Mockingbird Girl |
12 | Opposite Octave Reaction |
Product description
Product Description
12 Bar Blues is the debut solo album from Stone Temple Pilots singer Scott Weiland. Its sound and style differs greatly from STP's previous releases. The design concept of the cover is a homage to the cover design of John Coltrane's Blue Train album. The title name comes from the simple chord progression known as "twelve-bar blues."
Amazon.ca
When an artist comes back from the kind of trauma that dogged Scott Weiland following the release of Stone Temple Pilots' Tine Music ... Songs from the Vatican Gift Shop, said artist often comes back a changed person--and that's exactly what this surprising, fascinating solo bow shows Weiland to be. Middle finger pointedly directed at his past and eyes firmly affixed to his navel, Weiland slithers through the dauntingly dense disc with little of the simplicity implied in the title. Shaky and slurred, songs like "Where's the Man" and "Barbarella" conjure up some mighty frightening images without resorting to the brute force that was once Weiland's weapon of choice. Wrapped in grandiose post-glam, drag-heavy on strings, sequencers, and special effects, 12 Bar Blues is a daring leap, and it's clearly been done without a safety net. --David Sprague
Product details
- Is discontinued by manufacturer : No
- Product Dimensions : 14.94 x 1.02 x 13.21 cm; 99.79 Grams
- Manufacturer : Atlantic
- Manufacturer reference : 7567-83084-2
- Original Release Date : 1998
- Label : Atlantic
- ASIN : B0000062RU
- Number of discs : 1
- Customer Reviews:
Customer reviews
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Top reviews
Top reviews from Canada
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The overall theme seems to deal with a cad or druggie with a semi-charmed life (or possibly several different ones). Even many of the musicians that play on 12 BAR BLUES are "outsider" musicians in some way or another ( Daniel Lanois, Martyn LeNoble). I assume the album titile is some kind of joke because this music is pretty far removed from 12 bar blues as far as I can tell. Vague Velvet Underground, Beatles and trashy 70's rock influences permeate these recordings though they're sometimes hard to put a finger on.
Actually, 12 BAR BLUES is something pretty unique. Clearly, a lot of care was taken to construct these songs and choose interesting instruments and sounds. "Cool Kiss" and "Jimmy was a Stimulator" are the hardest hitting songs, both sporting corrosive synths. Either would soundgreat in a really seedy James Bond flick.
"Lady Your Roof Brings Me Down" is a kick, sounding like it walked off a Broadway stage with its dipping strut accompanied by string section, piano and accordian. There's some great piano elsewhere on this album, such as on the jazz-inflected "Divider." "Desperation #5" and "About Nothing" are both great, guided by souped-up drum machines and drenched in quasi-psychedelic distortion. "Barbarella," sung from the point of view of a rather articulate, insightful loser, really captures a sort of shambling majesty. Probably the best song and centerpiece of the album.
The quieter moments on this album are very good too. The melencholy "Where's Your Man" ("he's lost and gone again") finds our hero doing what he does best, yet "Son" finds him in an affectionate mood. The song is very tender and even breaks into Beatlesque "ah-ahs" at the middle 8 and ending.
The rest isn't quite so great. "Mockingbird Girl" is a pretty good pop song with good fuzz guitar. "Opposite Octave Reaction" isn't bad if a little played. It sounds like Weiland or someone wanted to end the album with a bang and this song was forced to fit the bill. Finally, "The Date" isn't the strongest song, but Scott does all the instrumentation and it has a serenely gloomy atmosphere that sounds suspended in time.
Overall, this is interesting stuff that's fun to listen to. Despite its shortcomings, I decided to give this 5 stars because it's unique, I really enjoy listening to it and it's that worthy of purchase. :)
Top reviews from other countries
L'album è forse la miglior cosa realizzata da Weiland: un incrocio tra sonorità alla nine inch nails e l'attitudine solista di Mike Patton.