At the start of a new century, in a war far away from England, two British soldiers see a golden opportunity . . . and do the unthinkable to take advantage of it.

Twenty years later, a successful though much despised London businessman is found savagely and bizarrely murdered in a medieval tithe barn on his estate in Somerset. For Scotland Yard inspector Ian Rutledge, a man still shaken by the Great War's deafening echoes, the well-concealed trail he must now follow is leading back to an event so monumentally barbarous that its consequences envelop even the innocent. And when justice takes a malevolent turn, one haunted policeman must stand alone against the onrushing tide.

A Matter of Justice LP

HarperCollins Publishers, Inc.

Chapter One

The Scilly Isles

May 1920

Ronald Evering was in his study, watching a mechanical toy bank go through its motions, when the idea first came to him.

The bank had been a gift from a friend who knew he collected such things. It had been sent over from America, and with it in a small pouch were American pennies with which to feed the new acquisition, because they fit the coin slot better than the English penny.

A painted cast-iron figure of a fat man sat in a chair, his belly spreading his brown coat so that his yellow waistcoat showed, and one hand was stretched out to receive his bribe from political figures and ordinary citizens seeking his favor. His name was "Boss" Tweed, and he had controlled political patronage in New York City in the aftermath of the American Civil War. Through an alliance between Tammany Hall and the Democratic Party, graft had been his stock-in-trade. Now his image was encouraging children to be thrifty. A penny saved . . .

The note accompanying the gift had ended, "Look on this as a swindler of sorts for the swindled, my dear Ronald, and take your revenge by filling his belly full of pennies, in time to recoup your pounds. . . ."

He hadn't particularly cared for the tone of the note, and had burned it.

Still, the bank was a clever addition to his collection.

It had been a mistake to confide in anyone, and the only reason he'd done it was to vent his rage at his own impotence. Even then he hadn't told his friend the whole truth: that he'd invested those pounds in order to look murderers in the face, to see, if such a thing existed, what it was that made a man a killer. In the end all he'd achieved was to make himself known to two -people who had no qualms about deliberately cheating him. The explanation was simple—they wanted no part of him, and losing his money was the simplest way to get rid of him without any fuss. He hadn't foreseen it, and it had become a personal affront.

He had sensed the subtle change in the air when he'd first given his name, and cursed himself for not using his mother's maiden name instead. But the damage was done, and he'd been afraid to let them see what he suspected.

Yet it had shown him—even though he couldn't prove it—that he'd been right about them. What he didn't know was what to do with that knowledge.

Vengeance is mine, saith the Lord . . . But the Lord had been remarkably slow exacting it. If anything, these two men had prospered.

And he had had no experience of vengeance.

There was only his mother, crying in his father's arms, this quiet, unassuming woman fiercely demanding that whoever had killed her dear boy be punished. A ten-year-old, listening from the shadows of the stairs, shocked and heartbroken, had endured nightmares about that moment for years afterward. And it was his mother's prodding after his father's death that had sent him to Cape Town in 1911, to bring her dear boy home from his South African grave.

"Your father couldn't do it. But you must," she'd urged him time and again. "It's your duty to Timothy, to me, to the family. Bring him home, let him lie beside your father in the churchyard, where he belongs. Find a way, if you love me, and let me see him resting there before I die!"

Trying to shake off the memory, Evering took another penny from the pouch and placed it in Boss Tweed's outstretched hand.

Almost quicker than the eye could follow, the hand slid the penny into the waistcoat pocket as Boss Tweed's head moved to nod his thanks.

The man smiled. It was no wonder he preferred these toys to -people. He had come home from Cape Town with his brother's body, after two years of forms and long hours in hot, dusty offices in search of the proper signatures. What he hadn't bargained for was the information he'd collected along the way. Information he had never told his mother, but which had been a burden on his soul ever since. Almost ten years now. Because, like Hamlet, he couldn't make up his mind what to do about what he knew.

Well, to be fair, not ten years of single-minded effort.

The Great War had begun the year after his return from South Africa, while he was still trying to discover what had become of those two men after they left the army. It wasn't his fault that he'd been stationed in India, far from home. But that had turned out to be a lucky break, for he discovered quite by accident where they were and what they were doing. In early 1918 he'd been shipped back to London suffering from the bloody flux, almost grateful for that because he was able at last to look into the information he'd come by in Poona.

Only he'd misjudged his quarries and made a fool of himself.

It wouldn't do to brood on events again. That way lay madness.

On the shelves behind him was an array of mechanical and clockwork toys, many of them for adults, like the golden bird that rose from an enameled snuffbox to sing like a nightingale.

Banks were a particularly fine subject for such mechanical marvels. A penny tip to the owner sent a performing dog through a hoop. In another example, a grinning bear disappeared down a tree stump as the hunter lifted his rifle to fire. Humor and clever design had gone into the creation of each toy. The shifting weight of the penny set the device concealed in the base into motion, making the action appear to be magical.

He had always found such devices fascinating, even after he'd worked out the mechanism that propelled them. His mind grasped the designer's plan very quickly, and sometimes he had bettered it in devices of his own. Skill calling to skill. He took quiet pride in that.

Seamlessly combines a fair-play whodunit with a nuanced look into the heart of darkness in the human soul.

A sharp look at a country recovering from the devastation of war. Although it is set in the early 20th century, Todd's novels are timeless.

A wonderfully plotted mystery will keep you engrossed and guessing right up to the end...This terrific read will please longtime fans and those new to the series.

Character-driven novel...another smoothly constructed, literary endeavor.

Here the mother and son who write under the name Charles Todd get it all right: a shocking crime in a bucolic setting; secretive characters who act from complex motives; a confounding puzzle elegantly presented and put before a detective with an intuitive understanding of the dark side of human nature.

Intricate plotting, detailed characterizations, and red herrings, this is a compelling addition to the popular Ian Rutledge series.

The plot is as complicated as any that Agatha Christie contrived, with characters as dark and complex as any of P. D. James'...Just the ticket.

Todd writes with atmospheric charm and a dark psychological edge that makes Rutledge one of crime writing's most compelling recurring characters...The success of the series hinges on both clever plotting and the nuance with which the authors continue to develop their character.

At the start of a new century, in a war far away from England, two British soldiers see a golden opportunity . . . and do the unthinkable to take advantage of it.

Twenty years later, a successful though much despised London businessman is found savagely and bizarrely murdered in a medieval tithe barn on his estate in Somerset. For Scotland Yard inspector Ian Rutledge, a man still shaken by the Great War's deafening echoes, the well-concealed trail he must now follow is leading back to an event so monumentally barbarous that its consequences envelop even the innocent. And when justice takes a malevolent turn, one haunted policeman must stand alone against the onrushing tide.

Charles Todd is the New York Times bestselling author of the Inspector IanRutledge mysteries, the Bess Crawfordmysteries, and two stand-alone novels. A mother-and-son writing team, Caroline passed away in August 2021 and Charles lives in Florida.