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Live at the Carnegie Hall
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Editorial Reviews
This superb 1976 concert recording showcases the extraordinary talents of the late singer-songwriter Laura Nyro. Her performance this particular evening also received the accolade of being the first live radio broadcast by a ""Pop"" artist from Carnegie Hall, New York City's most prestigious music venue. Laura had come a long way since her 1966 residency in San Francisco's 'Hungry i' coffee house. Born in 1947, a native New Yorker from the Bronx, Laura Nyro released nine studio albums during her lifetime - a tenth, 'Angel In The Dark', although recorded in the mid-1990's, was issued posthumously in 2000, after her untimely death from ovarian cancer in April 1997. In March 1976, when this broadcast was made, Laura was amidst a four-month tour in support of her sixth record, 'Smile', which is consequently very well represented with live versions of six tracks (the title track, Stormy Love, Money, I Am The Blues, The Cat Song and Midnight Blue). The tour was a substantial undertaking, complete with an eight-piece backing band including such consummate professionals as John Tropea on guitar (a highly regarded session musician, he also played with Van Morrison, Eric Clapton and Paul Simon) and Andy Newmark on drums (previously with Sly and the Family Stone). 1968's 'Eli and the Thirteenth Confession' is clearly a favourite of its author as well as her audience, and contributes four songs to proceedings: The Confession, Sweet Blindness, Timer and Emmie. Of the remaining quartet, And When I Die comes from Laura's 1967 debut, 'More Than A New Discovery', Sweet Lovin' Baby from 1969's 'New York Tendaberry' and two from 1970's 'Christmas and the Beads of Sweat' (Upstairs By A Chinese Lamp and When I Was A Freeport and You Were The Main Drag). Fate may have robbed the world of Laura Nyro, but this broadcast stands as a fitting testament to her prodigious talents as a songwriter, musician and performer.
Product details
- Product Dimensions : 5.67 x 5.59 x 0.47 inches; 3.67 Ounces
- Manufacturer : All Access
- Date First Available : November 6, 2012
- Label : All Access
- ASIN : B009VIDELE
- Number of discs : 1
- Best Sellers Rank: #194,619 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #83,898 in Rock (CDs & Vinyl)
- #92,345 in Pop (CDs & Vinyl)
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I was only lucky enough to see her once in a little outdoor amphitheater in Boulder Co. many, many years ago...but it was a life
changing and affirming experience. I still feel her presence. In all the recordings I've listened to, this brings her to life in a way
that is beautifully haunting.
I can recommend it to my fellow devoted Laura fans with some reservations. For us, particularly since her untimely death, it is always a treat to listen to a newly released live version of a well loved song delivered by this amazing artist.
Some of these releases are probably as good as you're going to get. The King Biscuit Flower Hour, for example, use to send professionally produced copies of concerts on CD or vinyl for broadcast to local radio stations, and those very discs have found their way to second-hand sales sites for sale. Other performances being offered on Amazon and other outlets are clearly analog recordings that were made from the actual over-the-air broadcasts. They feature the tell-tale signs of FM broadcasts, such as wandering signals and electrical interference. So the quality varies widely, although they all started out as professional productions and some are every bit as good or better than comparable officially released material by the artist.
This particular production is quite good. When Laura performs solo on the opening track and the encore, the recording sounds a bit distant. However, on the remaining songs, performed with the full complement of her touring band, the production is strong and often compelling. I don't see any reason why a Laura Nyro fan wouldn't be pleased to own this particular concert.
On the upside we can be hopeful that the competition these releases present may spur the owners of the legitimate productions to release their own, superior renderings. I don't know if it's worth it to a company like King Biscuit, for example, to supplement their original broadcasts with unreleased material that is gathering dust on an analog tape somewhere. There's a heady market out there for quality, unreleased material by bands that will never exist or perform together again. And even for those odd one-off performances by bands who agreed to have a rogue concert broadcast by an FM music station, if high-quality original tapes can be unearthed, I would think they could be easily marketed for significant profits.
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The album producers have tried to cover their tracks, e.g., the introduction of the band that on this album occurs at the end of And When I Die occurs at the beginning of Upstairs by a Chinese Lamp on SoL, the track order has been altered to disguise the fact, and there is even an authoritative *cough* where the join has been made. Likewise, "Smile" and "Mars" have been joined, with a large chunk in the middle audibly cut out. The shortest track, the Morning News, has been cut entirely, I suspect to fit this onto a 64" format. Otherwise, all of the concert narration is identical.
The music itself and the feel of the live concert are beyond criticism. However, the acoustics are poor, likely an air check. If you are a fan of Laura and already have Season of Lights, steer clear.