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Hemidemisemiquaver--Buried Treasures of the Raymond Scott Big Band

3.8 3.8 out of 5 stars 19 ratings

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About Us

THE REAL REAL GONE STORY

In 1993, two Ohio boys, Gordon Anderson and Gabby Castellana, both separately started businesses—Collectors' Choice Music and Hep Cat Records --that were to become two of the most important outlets for buyers and sellers of vintage music recordings. Now, 18 years later, they have joined forces to launch Real Gone Music, a reissue label dedicated to serving both the collector community and the casual music fan with a robust release schedule combining big-name artists with esoteric cult favorites.

Real Gone Music is a music company dedicated to combing the vaults for sounds that aren't just gone—they're REAL GONE.

What makes a piece of music real gone? It can be from any era, any genre, from superstar acts or the most overlooked artist—but if it's REAL GONE, it's an essential recording coming to you with excellent sound and packaging, designed to make you feel like you did the first time you bought an album or single at your local record store.

And, unique among American indie reissue labels, our release schedule is going to feature about ten titles per month. Because there is still a lot of music out there to rediscover, savor and celebrate.

"Get real gone…for a change!"

Track Listings

1 Carrier Pigeon
2 Four Beat Shuffle
3 The Beard
4 Hemi Demi Semi
5 In A Magic Garden
6 Mr Basie Goes To Washington
7 LimeHouse Blues
8 Toonerville Trolley
9 Section A
10 Enchanted Forest
11 Eight Letters In My Mailbox
12 Cozy Cole Drum Solo
13 Roxy Special
14 Naked City
15 Peanut Vendor
16 Casbah Blues
17 Section C
18 Tijuana
19 37th Secret
20 Jeep Jump
21 Get Happy
22 Break The
23 Carrier Pigeon (alt take)
24 Minuet In Jazz
25 Cozy Cole Drum Solo (alt take)
26 American In Russia

Editorial Reviews

Raymond Scott is best known as the composer of famous tunes that pop up throughout Warner Bros cartoons. In the late ‘Thirties, his celebrated Raymond Scott Quintette was a huge commercial success, a singular ensemble playing a unique and unmistakable style of jazz, full of whimsy and bravura. By the late ‘Forties, he had become an electronic music pioneer, both as an instrument inventor and composer. His music is everywhere these days, not just cartoons. For example, Lizzo’s recent hit “Tempo” samples (sips from?) his “Nescafe,” and he is heard in the recent Netflix hit show Hollywood. The lost chapter between the Quintette and his electronic music was every bit as compelling, starting with the first multiracial radio big band, the “CBS Big Band”—whose ranks included legends Ben Webster, Cozy Cole, and Charlie Shavers. Not only did this unit swing hard, they could also execute the intricate passages for which he was so famous. Hemidemisemiquaver: Buried Treasures of the Raymond Scott Big Band collects 26 exciting cuts, mostly unreleased radio broadcasts recorded by Scott himself and restored by Gavin Ross at Steady Studio in Burbank, CA. The package features photos from the Scott family archive and extensive liner notes penned by Scott scholar Skip Heller, who co-produced this volume with Scott’s son, Stan Warnow. Indispensable for Raymond Scott fans or any big band fan for that matter! 1. Carrier Pigeon 2. Four Beat Shuffle 3. The Beard 4. Hemi Demi Semi 5. In A Magic Garden 6. Mr Basie Goes To Washington 7. LimeHouse Blues 8. Toonerville Trolley 9. Section A 10. Enchanted Forest 11. Eight Letters In My Mailbox 12. Cozy Cole Drum Solo 13. Roxy Special 14. Naked City 15. Peanut Vendor 16. Casbah Blues 17. Section C 18. Tijuana 19. 37th Secret 20. Jeep Jump 21. Get Happy 22. Break The 23. Carrier Pigeon (alt take) 24. Minuet In Jazz 25. Cozy Cole Drum Solo (alt take) 26. American In Russia

Product details

  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 4.92 x 5.55 x 0.51 inches; 0.71 ounces
  • Manufacturer ‏ : ‎ Real Gone Music
  • Original Release Date ‏ : ‎ 2020
  • Date First Available ‏ : ‎ July 30, 2020
  • Label ‏ : ‎ Real Gone Music
  • ASIN ‏ : ‎ B08DSTHN6L
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    3.8 3.8 out of 5 stars 19 ratings

Customer reviews

3.8 out of 5 stars
3.8 out of 5
19 global ratings
Rare gems
5 Stars
Rare gems
This unearthed musical treasure trove is a wonderful discovery for seasoned Raymond Scott followers and neophytes alike. Together producers’ Skip Heller and Stan Warnow (also Scott’s son) along with the steerage and support of sound engineer Gavin Ross, and record label Real Gone Music, have created a wonderfully comprehensive and complete anthology album spanning Scott’s big band radio performances during the 1940’s. Also with an amazing line up of musicians like tenor saxophonist Ben Webster, and drummer Cozy Cole this compilation has much to offer for many jazz listeners of varying tastes.It is difficult to single out any particular songs on this album however ‘Enchanted Forest’ and ‘Naked City’ are favorites of mine, listening to them makes me reminiscent of the era when one would still be hearing this music on the radio for the first time.There has been criticism regarding the sound quality of this recording, and I am in no way a qualified audiophile and do not possess the capacity to make such comparisons, but I actually appreciated hearing this album in a more raw, less filtered way, as though I was listening to it from my grandfather’s old Philco Radio.Lastly, a major tip of the hat to Skip Heller for such meticulous and adept liner notes. Reading along while listening to ‘Hemi Demi Semi Quaver’ nearly feels the equivalent to taking a MasterClass on Raymond Scott. Also looking thru the amazing archival photos of Scott in action brings this embodiment of work together in one very thoughtful and well-rounded package.I highly recommend it for all ages, and Raymond Scott fans at whatever level you might be, from soup to nuts, this is a must have for any music collection.
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Top reviews from the United States

Reviewed in the United States on February 22, 2021
This is unexpectedly great music from someone whose name should be known by all - just as his music is!
Reviewed in the United States on July 28, 2021
I liked it Not a popular name
Reviewed in the United States on May 29, 2021
Was really looking forward to this release. But the digital restoration work has been overdone. Too much noise reduction applied to the point that the high frequencies are lopped off and badly impacted. A real shame.
Reviewed in the United States on November 10, 2020
This unearthed musical treasure trove is a wonderful discovery for seasoned Raymond Scott followers and neophytes alike. Together producers’ Skip Heller and Stan Warnow (also Scott’s son) along with the steerage and support of sound engineer Gavin Ross, and record label Real Gone Music, have created a wonderfully comprehensive and complete anthology album spanning Scott’s big band radio performances during the 1940’s. Also with an amazing line up of musicians like tenor saxophonist Ben Webster, and drummer Cozy Cole this compilation has much to offer for many jazz listeners of varying tastes.

It is difficult to single out any particular songs on this album however ‘Enchanted Forest’ and ‘Naked City’ are favorites of mine, listening to them makes me reminiscent of the era when one would still be hearing this music on the radio for the first time.

There has been criticism regarding the sound quality of this recording, and I am in no way a qualified audiophile and do not possess the capacity to make such comparisons, but I actually appreciated hearing this album in a more raw, less filtered way, as though I was listening to it from my grandfather’s old Philco Radio.

Lastly, a major tip of the hat to Skip Heller for such meticulous and adept liner notes. Reading along while listening to ‘Hemi Demi Semi Quaver’ nearly feels the equivalent to taking a MasterClass on Raymond Scott. Also looking thru the amazing archival photos of Scott in action brings this embodiment of work together in one very thoughtful and well-rounded package.

I highly recommend it for all ages, and Raymond Scott fans at whatever level you might be, from soup to nuts, this is a must have for any music collection.
Customer image
5.0 out of 5 stars Rare gems
Reviewed in the United States on November 10, 2020
This unearthed musical treasure trove is a wonderful discovery for seasoned Raymond Scott followers and neophytes alike. Together producers’ Skip Heller and Stan Warnow (also Scott’s son) along with the steerage and support of sound engineer Gavin Ross, and record label Real Gone Music, have created a wonderfully comprehensive and complete anthology album spanning Scott’s big band radio performances during the 1940’s. Also with an amazing line up of musicians like tenor saxophonist Ben Webster, and drummer Cozy Cole this compilation has much to offer for many jazz listeners of varying tastes.

It is difficult to single out any particular songs on this album however ‘Enchanted Forest’ and ‘Naked City’ are favorites of mine, listening to them makes me reminiscent of the era when one would still be hearing this music on the radio for the first time.

There has been criticism regarding the sound quality of this recording, and I am in no way a qualified audiophile and do not possess the capacity to make such comparisons, but I actually appreciated hearing this album in a more raw, less filtered way, as though I was listening to it from my grandfather’s old Philco Radio.

Lastly, a major tip of the hat to Skip Heller for such meticulous and adept liner notes. Reading along while listening to ‘Hemi Demi Semi Quaver’ nearly feels the equivalent to taking a MasterClass on Raymond Scott. Also looking thru the amazing archival photos of Scott in action brings this embodiment of work together in one very thoughtful and well-rounded package.

I highly recommend it for all ages, and Raymond Scott fans at whatever level you might be, from soup to nuts, this is a must have for any music collection.
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Reviewed in the United States on November 9, 2020
This album collects mostly unissued airchecks from Scott’s personal archive, produced by his son, Stan Warnow and Skip Heller. It highlights his work as a leader of a big band and as such is not quite as idiosyncratic as the later Quintette. Dates from late Thirties to early Fifties. Sound is about what one would expect from airchecks from that time. There are a few songs he did not write, so we get to hear him as an arranger, and what that means to a piece like “Peanut Vendor.”
A welcome addition to the body of work of Mr. Scott.
Reviewed in the United States on November 7, 2020
First of all, kudos to Real Gone Music.

There’s a reason you are one of my favorite reissue labels. As you’ve done so many times before, you’ve dug up something from the vaults that not only did I not know existed, but is also amazing! (Yes, I’m thinking back to those Dusty Springfield and Jackie DeShannon discoveries. Get them if you don’t have them.)

You may or may not have some idea of Raymond Scott. I learned about him in the 90s when there was a renewed interest in Carl Stalling’s work. It was a short hop to the genius of Scott.

Was there ever a more interesting and visionary performer/ composer than Scott? Probably not (if you ignore the works of Sun Ra). When he swung, he swung hard. In this collection of masterfully-remastered radio broadcasts you’ll hear his big band in one of its finest hours. Drop the needle on “Cozy Cole Drum Solo” and I dare you to sit still.

And, Real Gone Music, like you did with the Monk Higgins reissue, it was great move hiring Skip Heller on the liner notes. Is there anyone alive who is more knowledgeable about Scott? Probably not. And with Heller’s text and these truly fantastic recordings now unearthed and burnished to a shine, we’re better for it.

Do yourself a favor: buy or download this. Now.
One person found this helpful
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Reviewed in the United States on November 8, 2020
This set unearths treasures by Raymond Scott in the period between his historic Quintette recordings and his later explorations of electronic and ambient music, catchy commercial jingles, and his invention of numerous musical instruments.

During this era, the Quintette was expanded into a big band, with the addition of well-known jazz heavyweights such as Ben Webster, Charlie Shavers, Cozy Cole, and others. This configuration appeared regularly on the CBS radio network, which yielded the rare recordings on this collection.

Scott’s big band, on first listen, sounds a little more “conventional” than the tight, compact arrangements of the Quintette, but his unique sensibility, sense of playfulness, and precision were truly incorporated into a 1940s swing framework, complete with improvised soloing.

Musician and historian Skip Heller compiled this set, and co-produced the collection with Scott’s son Stan Warnow. Heller also provides informative and insightful liner notes.

When musicians have long and varied careers, the transitional periods are fascinating areas of study, providing insight into their development and evolution, and often (as in this case)pure non-academic enjoyment. Scott was truly a chameleonic creator, and this set of radio recordings provides a look at a pivotal and previously overlooked stage of his growth and development.

Plus, it swings.
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Top reviews from other countries

Julian Vein
1.0 out of 5 stars Poor sound!
Reviewed in the United Kingdom on October 28, 2020
I was looking forward to this issue because I really enjoy the Scott big bands, more than I do the Quintette. Sadly, it is badly let down by the sound quality. There is a lot of manipulation, causing artefacts, compression. fluctuating volumes, and a most unsettling feeling to the music.

As explained in the notes, because of the Covid-19 situation the producers were unable to gain access to access to documentation, so the CD only contains titles and nothing else. The disc contains two Cozy Cole drum solos—why? I remember many years ago Philips in the UK brought out an EP called “The Big Big Bands”, and included the Scott Quintette’s “Toy Trumpet”! That’s what you call coming full circle! Surely the producers could have found a couple more band titles (not that it matters much)? They haven’t included playing times, which might have made it easier to trace the sources, which makes it pretty much useless as a research tool.

One or two performances sound familiar, but due to the poor sound, I can’t be sure. Because of the low production values I'm not prepared to comment on the musical quality. It’s ironic that Scott himself was a stickler for good sound quality.

I must add that the sleeve notes by Skip Heller are exemplary, although they make no specific reference to the compilation.

It really saddens me to give this product such a low rating.