David Bowie – Waiting In The Sky (Before The Starman Came To Earth)
Label: | Parlophone – DBRNRSLP 722, Parlophone – 5054197604454 |
---|---|
Format: | Vinyl, LP, Album, Record Store Day, Limited Edition, Stereo, Half Speed Master |
Country: | Worldwide |
Released: | |
Genre: | Rock, Pop |
Style: | Glam, Pop Rock |
Tracklist
A1 | Five Years | 4:40 | |
A2 | Soul Love | 3:33 | |
A3 | Moonage Daydream | 4:36 | |
A4 | Round And Round | 2:40 | |
A5 | Amsterdam | 3:20 | |
B1 | Hang On To Yourself | 2:37 | |
B2 | Ziggy Stardust | 3:12 | |
B3 | Velvet Goldmine | 3:10 | |
B4 | Holy Holy | 2:22 | |
B5 | Star | 2:50 | |
B6 | Lady Stardust | 3:21 |
Companies, etc.
- Record Company – Warner Music Group
- Licensed To – Parlophone Records Ltd.
- Phonographic Copyright ℗ – Jones/Tintoretto Entertainment Co., LLC
- Copyright © – Jones/Tintoretto Entertainment Co., LLC
- Copyright © – Parlophone Records Ltd.
- Copyright © – The David Bowie Archive
- Copyright © – BMG Platinum Songs US
- Pressed By – Optimal Media GmbH – BN92387
- Published By – Tintoretto Music
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Screen Gems-EMI Music Inc.
- Published By – EMI Music Publishing Ltd.
- Published By – BMG Blue
- Published By – Warner Chappell Music Ltd.
- Published By – Chrysalis Music Ltd.
- Published By – Jones Music America
- Published By – WC Music Corp
- Published By – Colgems-EMI Music Inc.
- Published By – BMG Monarch
- Published By – Isalee Music Publishing Co.
- Published By – Dualtone Words And Songs
- Published By – Éditions Pouchenel
- Published By – Unichappell Music, Inc.
- Published By – Carlin Music Corp.
Credits
- Arranged By [Arrangements By] – David Bowie, Mick Ronson
- Bass – Trevor Bolder
- Design – Gas*
- Drums – Mick Woodmansey
- Guitar, Piano, Vocals – Mick Ronson
- Lacquer Cut By – JWM*
- Mixed By – Ken Scott
- Photography By [Cover Photograph By] – Brian Ward (5)
- Producer [Produced By] – David Bowie, Ken Scott
- Saxophone [Sax], Guitar, Vocals – David Bowie
- Written-By – David Bowie (tracks: A1 to A3, B1 to B6)
Notes
Record Store Day exclusive. Limited to 8,000 copies worldwide.
Hype sticker:
Half speed master
Taken from tapes dated Dec, 1971 for the then tracklisting of The Rise And Fall Of Ziggy Stardust And The Spiders From Mars.
Feat. four songs that didn't make the final album.
Includes printed inner sleeve with the two sides being the fronts of the two Trident Studios tape boxes.
The album is taken from the Trident Studios quarter-inch stereo tapes dated December 15, 1971, created for the provisional tracklisting for what would become The Rise And Fall Of Ziggy Stardust And The Spiders From Mars album.
Cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half-speed vinyl cut was by engineer John Webber at AIR Studios, London.
Track A4 originally released by Chuck Berry with the title ‘Around And Around’.
Runouts are etched. Plating marks are mirrored.
Made in Germany.
Hype sticker:
Half speed master
Taken from tapes dated Dec, 1971 for the then tracklisting of The Rise And Fall Of Ziggy Stardust And The Spiders From Mars.
Feat. four songs that didn't make the final album.
Includes printed inner sleeve with the two sides being the fronts of the two Trident Studios tape boxes.
The album is taken from the Trident Studios quarter-inch stereo tapes dated December 15, 1971, created for the provisional tracklisting for what would become The Rise And Fall Of Ziggy Stardust And The Spiders From Mars album.
Cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half-speed vinyl cut was by engineer John Webber at AIR Studios, London.
Track A4 originally released by Chuck Berry with the title ‘Around And Around’.
Runouts are etched. Plating marks are mirrored.
Made in Germany.
Barcode and Other Identifiers
- Barcode (Text): 5 054197 604454
- Barcode (Scanned): 5054197604454
- Rights Society: GEMA/MCPS
- Rights Society: BMI
- Rights Society: PRS
- Rights Society: ASCAP
- Rights Society: SABAM
- Matrix / Runout (Runout side A): 5054197604454 BN92387-01 A2 2△ JWM
- Matrix / Runout (Runout side B): 5054197604454 BN92387-01 B2 ∂⋀
Recommendations
Reviews
- Just last weekend, I bought this new for $50 CAD from a record store in Kingston, Ontario. No RSD lineups, no flippers involved. It's always worth looking for unsold RSD stock at bricks-and-mortar places.
The album itself is inferior to as-released Ziggy. It's missing some of the best songs on the final album. When I bought David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars in 1992, the booklet came with the tracklist from this early version, of which was it was easy to make a mix tape using the bonus tracks on the first few Rykodisc releases. So while the album wasn't new to me, I was happy to have it on vinyl just for a different take on one of my favourite albums. - Waste of vinyl and cardboard featuring four "rare" tracks any fan has had in their collection for decades, be they on the original 7"s, Lifetimes 80s 7" reissues, the Bowie Rare composition or as bonus racks on the 90s Rykodisc/Sound and
Vision remasters.
Save your cash. - Finally got a chance to spin my copy over the weekend. Did anyone else have issues with a large scratch on the end of Side A? Constant ticks with the end of Round and Round & Amsterdam.
Interested to hear if this was a common problem and if anyone reached out to the label. - Wow! It's really hard to believe. They've actually managed to produce a pressing that can't be faulted! That's a rarity these days, because I've been sending back almost every third record for a few years now.
In terms of sound, this record is absolutely top quality. Ziggy Stardust's album has never sounded better than here. Normally RSD passes me by, but this time I had to get it. - Really glad Bowie & Co. came back in the studio in '72 and added the three era bangers this is missing. My copy is flat, centered, and very quiet; digitally mastered to vinyl pretty well. It has plenty of detail but like others have stated here it is a bit compressed. I do not have an OG of the completed work, but my 2016 AAA Ziggy, in comparison, is sonically superior.
Nonetheless, it is fun to listen to and hear the beginning of one the masterworks of rock. - Sounds clear but can't compete with my orange labels Us first press which clearly has a higher mix punchy and louder. The meters on my amp doesnt lie. Clearly this new pressing is from digital, it sounds good but the first press has more live and energy and is uncompressed. The vocals on the new press is compressed and lower.
- Very good value for the money, brilliant sound, fine pressing and overall a very nice to have release
- witch songs are new, and not on original record, this is only lp i bought on rsd, i got i with my bicycle
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