NBC Matinee Theater
American TV series or program / From Wikipedia, the free encyclopedia
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Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from October 31, 1955,[1] to June 27, 1958.[2] Its name is often seen as Matinee Theatre.
NBC Matinee Theater | |
---|---|
Also known as | Matinee Theater |
Genre | Anthology |
Directed by | John Drew Barrymore Alan Cooke Walter Grauman Arthur Hiller Lamont Johnson Sherman Marks Lawrence Menkin Albert McCleery Boris Sagal Pace Woods Alan Hanson |
Presented by | John Conte |
Country of origin | United States |
Original language | English |
No. of seasons | 3 |
No. of episodes | 650 |
Production | |
Executive producer | George Lowther |
Producers | George Cahan Albert McCleery Frank Price Darrell Ross |
Running time | 45–48 minutes |
Production company | NBC Television Network |
Original release | |
Network | NBC |
Release | October 31, 1955 (1955-10-31) – June 27, 1958 (1958-06-27) |
The series, which ran daily from 3 p.m. to 4 p.m.[2] Eastern Time, was usually broadcast live and most of the time in color. Its live dramas were presented with minimal sets and costumes.[3] It was the first daily hour-long dramatic series on television.[4]
When it was broadcast, Matinee Theater was the most heavily promoted regularly scheduled daytime program on U.S. television.[5] Along with NBC's Home, the show was part of the network's effort to "provide quality 'adult' entertainment" in daytime programming.[1]
In its second season, the program had an audience of 7 million daily viewers.[3]
The series ended in 1958 due to its high budget; much higher than any other daytime program in television.[citation needed] In 1956, the program's budget was "about $73,000" to produce five episodes per week.[6] A few of the later episodes were preserved on color film for later rerun syndication under different titles. The scripts of the series' episodes are archived at the University of California, Los Angeles. Several episodes are preserved at the UCLA Film & Television Archive, The Paley Center, and the Library of Congress.
Jim Buckley of the Pewter Plough Playhouse (Cambria, California) recalled:[7]
When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week. This series aired live at 3 p.m. Eastern time and 12 noon Pacific, in order to promote color TV (which had just been developed) to the American housewife as she labored over her ironing. Al [McCleery] was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is (or was) his own set decorator (selecting furnishings and hand props)—yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.
Directors included Walter Grauman, Boris Sagal, Lamont Johnson, Arthur Hiller, Lawrence Schwab, Allen A. Buckhantz, Alan Cooke, and Livia Granito.[2] The show initially had 16 directors, but McCleery released those who could not promptly answer questions about what they needed or wanted for episodes.[8]
A staff of about a dozen people searched through books, magazines, and material in the public domain, looking for ideas, and about the same number of writers produced material for the program.[6]
While one episode of the program was being broadcast, the next day's episode was in final rehearsal. Both occurred in the same studio, with a soundproof curtain separating the activities. Two crews of 75 technicians each worked on the projects. Meanwhile, four future episodes were being rehearsed in four rehearsal halls in a facility at the corner of Vine and Selma in Los Angeles.[8]
- Anna Maria Alberghetti
- Steve Allen
- Mary Astor
- Jim Backus
- Patricia Barry
- Jacques Bergerac
- Richard Boone[2]
- Laurie Carroll[9]
- Leo G. Carroll
- Chuck Connors
- Richard Crenna
- Jane Darwell
- Bradford Dillman
- Joanne Dru
- Shelley Fabares
- Frances Farmer
- Nina Foch[2]
- Eva Gabor
- Edmund Gwenn
- June Havoc
- Wendy Hiller
- Dennis Hopper
- Edward Everett Horton
- Vivi Janiss
- David Janssen
- Cecil Kellaway
- DeForest Kelley[2]
- Shirley Knight
- Michael Landon
- Cloris Leachman
- Anita Louise
- Roddy McDowall
- Darren McGavin
- Martin Milner
- Agnes Moorehead
- Rita Moreno
- Jack Nicholson[3]
- Hugh O'Brian[2]
- Margaret O'Brien
- Arthur O'Connell
- Maureen O'Sullivan
- Susan Oliver
- Geraldine Page
- Suzanne Pleshette
- Mala Powers
- Barbara Rush
- George Peppard
- Vincent Price
- Cesar Romero
- Marian Seldes
- Pat Sheehan
- Wim Sonneveld
- Dean Stockwell
- Phyllis Thaxter
- Marshall Thompson
- Rudy Vallee
- Ethel Waters
- James Whitmore
- Mary Wickes
- Fay Wray
- Alan Young
Year | Result | Award | Category | Notes |
---|---|---|---|---|
1956 | Won | Emmy Award | Best Contributing to Daytime Programming[10] | |
1957 | Won | Golden Globe Award | Best TV Show | Tied with The Mickey Mouse Club, Cheyenne, Playhouse 90, and This Is Your Life |
The program's initial presentation was "Beginning Now", by John P. Marquand, starring Louis Hayward.[2]