Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
Fantasies and Preludes, Giedde I.45: Vivace alla Francese | Johann Joachim Quantz, Dorothee Oberlinger | A Major | 0 | 11B | 79 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
Fantasia Suite No. 1 in G Minor: II. Almain | William Lawes, Purcell Quartet | G Minor | 1 | 6A | 96 BPM | ||
Serse, HWV 40, Act I Scene 2: Recitativo. Siam giunti (Arsamene, Elviro) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Lawes: Saraband, for Lyra Viol, VdGS No. 432 | William Lawes, Fretwork | G Major | 0 | 9B | 98 BPM | ||
La Parma | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | F Major | 0 | 7B | 139 BPM | ||
Sweet Echo, Sweetest Nymph | William Lawes, John Milton, Henry Lawes, Sara Macliver, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 123 BPM | ||
Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM |
Section: 0.7868781089782715
End: 0.9728410243988037