Best Cinematography Elimination Game Round #3
ELIMINATED - Mank (2020), shot by Erik Messerschmidt - 23.7% of all votes. Mank won Best Cinematography at the 93rd Annual Academy Awards, as well as Best Production Design. It received a total of 10 nominations, including nominations for Best Picture, Best Director, Best Actor, and Best Supporting Actress. The other films nominated for Best Cinematography at the 93rd Annual Academy Awards were Judas and the Black Messiah, News of the World, Nomadland, and The Trial of the Chicago 7. Mank also won the ASC Award for Best Cinematography, and received nominations at the BAFTAs and Critics’ Choice Awards. The Director of Photography for Mank, Erik Messerschmidt, was also the DOP for The Killer (2023) and Ferrari (2023).
Fill out the form by just selecting the winner you want to be next eliminated the most, and then click submit. The more people who vote, the more competitive and fun the competition will be!
Remaining contestants:
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Crouching Tiger, Hidden Dragon (Peter Pau)
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The Lord of the Rings: The Fellowship of the Ring (Andrew Lesnie)
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Road to Perdition (Conrad L. Hall)
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Master and Commander: Far Side of the World (Russell Boyd)
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The Aviator (Robert Richardson)
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Memoirs of a Geisha (Dion Beebe)
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Pan’s Labyrinth (Guillermo Navarro)
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There Will Be Blood (Robert Elswit)
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Slumdog Millionaire (Anthony Dod Mantle)
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Inception (Wally Pfister)
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Hugo (Robert Richardson)
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Life of Pi (Claudio Miranda)
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Gravity (Emmanuel Lubezki)
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Birdman (Emmanuel Lubezki)
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The Revenant (Emmanuel Lubezki)
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La La Land (Linus Sandgren)
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Blade Runner 2049 (Roger Deakins)
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Roma (Alfonso Cuarón)
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1917 (Roger Deakins)
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Dune (Greig Fraser)
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All Quiet on the Western Front (James Friend)
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Oppenheimer (Hoyte van Hoytema)
Ranking So Far:
23. Mank (Erik Messerschmidt) 24. Avatar (Mauro Fiore)
Where is the rest of the ranking??
This is it so far.
Oh sorry, I misread. My apologies.
No worries!
Good list of winners. I think Memoirs of a Geisha stands out to me as the next worst.
The film was heavily stylized and that’s about it. Art Direction, fine, but cinematography should have been another Robert Elswit win for Good Night, and Good Luck.