It would be a challenging undertaking for any filmmaker or actor to represent in biopic form the outsize talent, unique style and utterly devastating downfall of soul singer Amy Winehouse. To quote one of Winehouse’s most poignant ballads, the endeavor is “a losing game” before it even starts.
Packs of paparazzi are a presence in the film, but “Back to Black” doesn’t dive into who is driving the desire for these seedy photos: both media titans and their audiences, hungry for sensation. There’s no curiosity about Amy at all in “Back to Black,” just a condescending presentation of a girl with a great voice and a bad boyfriend.
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