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Chris Christophersen Hardcover – October 12, 1982
Purchase options and add-ons
- Print length147 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateOctober 12, 1982
- ISBN-100394525310
- ISBN-13978-0394525310
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Product details
- Publisher : Random House; First Edition (October 12, 1982)
- Language : English
- Hardcover : 147 pages
- ISBN-10 : 0394525310
- ISBN-13 : 978-0394525310
- Item Weight : 1 pounds
- Best Sellers Rank: #11,227,547 in Books (See Top 100 in Books)
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The basic plot of "Chris Christophersen" is the same as "Anna Christie": Anna, the daughter of the title character, finds her estranged father in New York City. Formerly a sailor on transcontinental voyages, Christophersen now captains a small barge that hugs the Atlantic coast, always in sight of land. He has sworn off "dat ole devil" the sea, blaming his career for robbing him of a fulfilling life, killing the male members of his family, and causing him to neglect his own wife and children. When his daughter arrives, the former sailor is determined to keep her from falling in love with either the sea or anyone associated with it.
The main difference between this version and "Anna Christie" is that, in the later play, Anna is a down-and-out prostitute who hides her former life from her father. In this version, the roles are reversed: Anna has been raised by a proper British family, and it is her father who tries to clean up his act. Although some scenes and bits of dialogue are shared between the two versions, the divergence is enough to make this earlier draft feel like an entirely different play.
But which one is better? Most would agree that "Anna Christie" is a vast improvement largely because Anna's character is more fully realized. Yet the earlier version (in spite of its rather rushed, lame ending) does a better job, I think, portraying the relationship between two strangers who happen to be father and daughter. There is much to recommend both versions, but what will probably most fascinate fans of O'Neill is the process through which a great playwright resuscitates a play that has merit but isn't quite polished and turns it only one year later into a theatrical success.